Arts Council of Wales and Welsh Arts Anti-Racist Union, an update

I’M IN SEMI-RETIREMENT AND THIS BLOG IS WINDING DOWN. I INTEND CALLING IT A DAY IN THE NEXT FEW MONTHS. POSTINGS WILL PROBABLY BE LESS FREQUENT AND I WILL NOT UNDERTAKE ANY MAJOR NEW INVESTIGATIONS. DIOLCH YN FAWR.

This is a follow-up to last week’s post, ‘Corruption Bay and a tale of Cymrophobia‘. You’ll remember that we looked at how Labour Party insiders were paid to produce reports that would guide more ‘inclusive’ policy at the commissioning bodies, the Arts Council of Wales and the National Museum.

UPDATE

One of these submissions, from the mysterious Welsh Arts Anti-Racist Union, painted a picture of Wales as some kind of Hell on Earth where ‘creatives’ of a non-Caucasian pigmentation are brutally discriminated against.

It was reminiscent of the hysteria I’ve been writing about in connection with YesCymru. Where some of those involved in the failed Woke-Left takeover wanted us to believe that ‘women with penises’ are being butchered on Welsh streets by mobs of transphobes.

What I found revealing was that neither those suggesting rampant transphobia or a whites-only arts scene are prepared to debate. Any dialogue must start from a blind acceptance of their ‘facts’.

A few tit-bits have come to light since the previous post went out. For example, someone drew my attention to the metadata naming authors for the three reports.

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The report from Labour insiders Lu Thomas and Jon Luxton named Luxton as the author. But the other two reports listed Arts Council employees as authors. Which might at first sight seem a bit odd, though there could be a simple explanation.

Such as the reports being submitted in MS Word or some other format and the Arts Council converting them to PDF.

If that is not the explanation, then what is?

Despite the ‘authorship’, there is no real issue with the Richie Turner Associates’ report because the contributors are named in the report.

It’s the third report, from the Welsh Arts Anti-Racist Union, that’s causing concern. Because no individual or contributor is named anywhere.

Anyway, in the hope of helping me make sense of the bigger picture, a few people made suggestions. Pointed me in certain directions. So off I went.

NATURE OF THE BEAST

It’s fair to say that Amgueddfa Cymru was almost a ‘passenger’ in this exercise, so I’m ruling them out to focus on The Arts Council of Wales.

The current Chair is Phil George, who I speculated was a Labour Party supporter. His immediate predecessor in the post, from 2007 – 2016, was David Burton Smith, whose political leanings have never been in doubt.

For Dai Smith – father of unsuccessful challenger to Jeremy Corbyn, Owen Smith – is another creature of the left. One of those historians who, like Neil Kinnock, believes Wales isn’t worthy of study until the Industrial Revolution and the creation of a proletariat.

Smith worked for the BBC in Cardiff, from 1994, as, ‘Head of Broadcast (English Language). He was responsible for commissioning programmes on the arts and in drama and has also presented award-winning documentaries on the people and culture of south Wales’.

Through a socialist prism, of course.

An interesting insight into colonial Wales, this. For while the Labour Party rails against Tory cronyism, Old Boy networks and the rest, the Buttybond practises something very similar in Wales.

And the Tories are more than happy to let them do it. I’ll explain why a bit later.

Phil George has a long history with The National Theatre of Wales (NTW). In fact, he was one of the founding directors on September 9, 2008. He seems to have left NTW in March 2016, around the time he was appointed Chair of the Arts Council.

I’m told the National Theatre of Wales was always well favoured in Cardiff. One source reports: ‘”BBC Wales” used and uses every opportunity to promote this company. Hardly any arts documentaries are done but in its formative years, 2010, it commissioned a 30 minute advertorial dressed up as a documentary on a National Theatre production’.

It was thanks to Phil George and NTW that Abdul Shayek of London got his foot in the Welsh public funding door.  For Shayek’s Linkedin page tells us that from April 2011 until April 2013 he was a Creative Associate with NTW.

Shayek then branched out to form FIO, a BAME theatre group. Though apparently reliant on funding from the Welsh public purse this didn’t stop FIO taking plays to India. And Shayek ‘representing’ FIO at symposia and the like in Sri Lanka and Australia.

Nice work if you can get it! And especially if someone else is paying.

Another source tells me FIO got some £400,000 in funding over 3 or 4 three years. (It might have been more.) Which pays for quite a few trips to Oz and old Serendip.

Going back to Shayek’s Linkedin bio we see that he left FIO in August 2020 to join Tara Theatre. No, this has nothing to do with halls and High Kings, it’s yet another ‘ethnically diverse’ theatre group. This time in London.

I’m not sure of the reasons for Shayek’s departure, or where this leaves his creation, FIO. The website suggests it’s still going, and the Charity Commission entry implies he’s still involved.

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Whatever the relationship between Abdul Shayek and FIO he still appears to be involved with the arts scene in Wales. And pissing off quite a few people with his involvement in the Wales Culture and Race Taskforce (WCRT).

Which was set up in June 2020 to, ‘challenge the lack of diversity within the arts in Wales and demand systemic change’.

I’m not sure if this was Abdul Shayek’s brainchild or if he just got involved somehow. Certainly, his creation FIO was holding the money donated to WCRT by other arts groups. Said to be £20,000.

You’ll get a flavour of the dispute from the Critically Speaking blog of Jafar Iqbal. (A supporter of Leyton Orient football club.) In particular, read the lengthy comment from ‘pledging organisations’.

If you want to know more about the role envisaged for the Wales Culture and Race Taskforce then you should read this document prepared for the ‘Welsh Government’.

Strangely, in just 452 words this document manages to use the term ‘white-led’ three times. In the Welsh Arts Anti-Racist Union ‘report’ we encounter the phrase ‘white-led’ 10 times.

When checking the metadata for the document I’ve just linked to, I found the author named as Letty Clarke. So obviously, I wondered who she might be.

You will not be surprised to learn that Letty is also from England, but since January 2020 she has been Curator of Public Programmes at Artes Mundi Prize Ltd. From the Artes Mundi website we learn:

‘Artes Mundi Prize Ltd is a registered non-profit charity that annually relies on support from individuals, corporations, sponsors, trusts and foundations to fund the costs of all our programmes, alongside our core public revenue from Arts Council of Wales and Cardiff City Council’.

The name may sound like a character from a forgotten novel set in 19th century New England, but Letty is of the here and now. And, unfortunately, the ‘here’ is Wales.

Letty Clarke’s Linkedin profile makes it clear that she supports Black Lives Matter, and her Twitter account provides a few gems.

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As many of you will know, investigations are continuing into the death of Mohamud Mohammed Hassan, who died some hours after leaving police custody. But Letty Clarke, after being in Wales for a short time, has already made her mind up.

For according to her Hassan was a victim of ‘police brutality’ and ‘state violence in Wales’. What the hell does she mean by ‘state violence’? There is no Welsh state!

Let me explain the relationship to you, Letty . . . Your country robs my country and by way of compensation doles out money to those buffoons down Corruption Bay, who in turn distribute far too much of that cash to people like you and your friends.

Which means that, one way and another, most Welsh people get screwed twice over.

Up to now in this painful trawl through the ‘Welsh’ arts scene I don’t think we’ve met anyone who is actually Welsh, apart from a few cocks atop the dung heap.

Let’s see if we have any more luck in the next section.

THE SEARCH CONTINUES FOR THE WELSH ARTS ANTI-RACIST UNION

In December 2019 the Wales Audit Office produced a snappily-entitled report, ‘Well-being of Future Generations Increasing Participation in Areas with Under-developed Reach of the Arts – Arts Council of Wales’. You can read it here.

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The Introduction says: ‘This document has been prepared for the internal use of the Arts Council of Wales’. Reminding us that this is an example of the additional public money wasted since the implementation of the Well-being of Future Generations (Wales) Act 2015, and the creation of the post of Future Generations Commissioner, with of course, a whole new department.

The job of Commissioner was given to Labour time-server Sophie Howe. She had previously worked under Alun Michael, the former Labour MP and now Police and Crime Commissioner for South Wales.

Under ‘Contents’ we read: ‘In its efforts to increase participation, inclusion and engagement in areas with under-developed reach of the arts, the Arts Council of Wales (Arts Council) is demonstrating commitment to the sustainable development principle but it recognises the need to further embed the five ways of working.’

Clearly, the Audit Office looked into inclusion in the arts, and made recommendations to the Arts Council. So why, just six months later, did the ACW spaff another £50,000 (minimum) doing what looks like exactly the same thing?

(Note that the Sell2Wales notice I link to is from June 2020. Which is when the Wales Culture and Race Taskforce was set up.)

This duplication produced the three reports dealt with in the previous post, including the submission from the mysterious Welsh Arts Anti-Racist Union.

This digression takes us nowhere nearer identifying the person or persons behind the Welsh Arts Anti-Racist Union. In fact, it’s difficult to get any handle on the WAARU.

One mention I did find was on what I assume to be a podcast. It seems to be called Mostyn, or Lumin, the latter described as, ‘an artist-run radio and publisher led by Sadia Pineda Hameed and Beau W Beakhouse’.

If you scroll down to the bios of others involved, you’ll see this for the Welsh Arts Anti-Racist Union. But again, no name.

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I’d like to be able to tell you that Hameed is from Froncysyllte and Beakhouse from Llangyfelach, but alas . . .

Beau tells us: ‘I’m originally from Bournemouth but moved around . . . I come from a nature & craft background . . .  My parents were self-employed gardeners, who then went into woodcraft . . . Eventually, I managed to study English Literature at Cardiff University’.

Hameed: ‘I’m from London. I also came to Cardiff to study English Literature at uni and decided to stay ‒ in part because I didn’t really have the money to pursue the arts back in London, but also because I really liked how open the arts scene in Wales is.’

Yes indeedy; the ‘arts scene’ in Wales is open to just about anybody . . . artistic talent is unnecessary, and knowledge of Wales undesirable.

Here’s an example of Beakhouse’s poetry from 2017.

Don’t give up the day job, Beau. Whatever it is.

That we are no nearer fingering who wrote the Welsh Arts Anti-Racist Union report is understandable, given its reception. But the Arts Council of Wales must know because the WAARU was paid well to insult us.

Which is why I have submitted a Freedom of Information request to the ACW.

But over and above that, this situation of strangers being paid to insult us could only happen in the peculiar circumstances of devolution, which sees politicians and others who superficially oppose each other agree when it comes to Wales, and the Welsh.

UPDATE: Since publishing this piece I have received feedback, including someone drawing my attention to The Future Generations Report 2020. On page 355 we read what you see in the panel:

I have two points to make.

First, ‘learning Welsh on the job’ sounds like a good idea, until you realise it’s often a ruse to give jobs to people most of whom will do no more than go through the motions of taking a few Welsh lessons.

Mark James, former chief executive of Carmarthenshire County Council, would be a great example of this scam in practise.

Second, The Future Generations Commissioner in her 2020 report is quoting Race Alliance Wales (RAW), a body formally launched on December 19, 2019. How the hell did a newly-constituted body become so influential so quickly?

The answer is that those behind RAW are based almost exclusively in Cardiff and well connected in Corruption Bay.

While organisations elsewhere in Wales, established for far longer, representing many more people, but outside the Bay Bubble, are ignored.

This is not healthy; this is not democratic; this should not be the Wales any of us wants to see.

But it’s the Wales we live in.

FURTHER UPDATE: Someone else has been in touch with an intriguing suggestion. Which is, that when an anonymous Twitter account is launched the author is often to be found among the early followers.

In the case of the Welsh Arts Anti-Racist Union Twitter account the first ten followers can be found here. (Read from the bottom up.) There are quite a few names there that appear in this article.

THE BIT AT THE END WHERE COLOMBO PUFFS ON HIS CIGAR AND . . .

Picking up again on the shared motivations, what I’m hinting at is that these otherwise squabbling interests agree that Wales must be carefully ‘managed’.

Which is why what passes for entertainment on television and elsewhere is banal and superficial. Welsh politics, social issues, and other specifically Welsh matters (when dealt with in English) are often quarantined in programmes broadcast at awkward times . . . which results in hardly anyone watching them.

The same applies more widely, in the fields so copiously manured by the Arts Council. For example, there’s not a hope in Hell of Wales having its own Abbey Theatre.

We are at a stage now where if two plays are in competition for funding, one about Welsh villages being destroyed by excessive tourism, the other about the absence of obstetric facilities for low caste birthing persons in Tamil Nadu, then you can predict with certainty which will enjoy an opening night.

Researching this piece I stumbled on an hour-long lecture by former Arts Council Chair Dai Smith, built around writer Raymond Williams. Smith is speaking at a ‘Cultural Democracy Workshop’ in November 2020.

This was of course delivered at a time when the three reports commissioned by the Arts Council were being prepared. Yes, it was all happening around that time.

Smith makes the point that in the 1950s, ’60s and ’70s, when Williams was at the height of his intellectual and creative powers, his writing was framed by what he saw as a class struggle. But things have moved on.

(Interestingly, a piece on Williams appeared in UnHerd yesterday.)

Most importantly, the political left in Europe and North America has lost the working class. Which is why Marxism is now promoted through race, environmentalism and gender. And the harder the left pushes these the more it alienates the working class.

No one living just thirty years ago could have envisioned the crazy situation we have reached today. And few political activists of the left under the age of 40 can believe that their ideological predecessors idolised those they regard as stupid, racist, transphobic, climate denying Brexiteers.

The sons and grandsons of Marxist miners are fascist white van men!

A hazy understanding of Marxism re-interpreted by Black Lives Matter almost certainly lies behind the report submitted by the Welsh Arts Anti-Racist Union. It also explains the report’s acceptance by the Arts Council.

But why would the Old Etonians in Westminster and their civil servant alumni of lesser schools want to push such drivel? The answer is that they share with the Woke-Left establishment in Corruption Bay a desired outcome.

This explains the funding and other encouragement for people from around the world to come here, take funding that should go to Welsh arts, and then call us racist.

London likes the ‘The Welsh are racist’ message because it explains why we oppose holiday homes, and resent being colonised. (It’s why the Telegraph used the WAARU report.) Corruption Bay modifies it to read, ‘Nationalism is racist’ because that can slander those suggesting there is a better way for Cymru than devolution’s cronyism and exploitation. 

Together they tell us why the ‘Welsh’ arts scene today is a revolting mess of talentless dreamers and grant-grabbing shysters. Overwhelmingly alien; with some of those involved positively racist in their attitudes towards us.

Modern Wales in microcosm.

♦ end ♦

 




Corruption Bay and a tale of Cymrophobia

I’M IN SEMI-RETIREMENT AND THIS BLOG IS WINDING DOWN. I INTEND CALLING IT A DAY IN THE NEXT FEW MONTHS. POSTINGS WILL PROBABLY BE LESS FREQUENT AND I WILL NOT UNDERTAKE ANY MAJOR NEW INVESTIGATIONS. DIOLCH YN FAWR.

This post is about the findings from surveys commissioned by the Arts Council of Wales and Amgueddfa Cymru. The project was entitled, ‘Widening Engagement’.

These reports, or certainly one of them, prompted old Shippo at Llais y Sais to give it something close to the, ‘We Are At War With Germany’ treatment. (Available here in pdf format.)

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Front page lead continued on inside page, completed with a full page of grovelling from the white supremacist running-dogs of the patriarchal imperialist-colonialist system.

The story travelled. Not only did the Daily Telegraph pick it up, but also, from that source, Andy Ngo, in Portland, Oregon, scourge of Antifa.

Even RT.

This passage from the Arts Council website explains the exercise . . .

“At the end of June 2020 Arts Council of Wales and Amgueddfa Cymru – National Museum Wales advertised a tender to undertake a series of in-depth research conversations. Our aim was to widen engagement with communities we consistently fail to engage in our work. We received 34 submissions and after a detailed selection process and interviews we decided to appoint three organizations to undertake three very different studies.”

The reports from the three successful tenders have been submitted and are now available online. They are from: Re:cognition, Richie Turner Associates, and the Welsh Arts Anti-Racist Union.

So let’s look at them in that order.

RE:COGNITION

The first problem I have with these people is the name. Let me explain.

There is a company Re:Cognition, with qualified medical people involved in specialist mental health services. And an annual turnover in excess of £10m. But this was not the company employed by Arts Council of Wales and Amgueddfa Cymru.

For as the report tells us, on the very first page, its authors are Jon Luxton and Lu Thomas, two Labour Party stalwarts from Penarth. (Where Luxton was once mayor.) And wouldn’t you know it – Lu Thomas has appeared on this blog! In Plaid Cymru’s enemy within (scroll down a bit).

Lu Thomas is big in Pride Cymru, and something of a trans fanatic, believing that ‘women with penises’ are being persecuted. Everywhere. By everybody.

Here’s her Linkedin profile. Where you’ll see that she claims to be a director of a company called Cognition.

Cognition Training Ltd, directors Thomas and Luxton, was put out of its misery in December 2018. But even when trading it never provided the income that bought Thomas and her wife their £500,000+ house on Windsor Esplanade.

Image: Mark Lewis. This appeared in a WalesOnline report in July 2018. Click to open in separate tab.

The ‘Cognition’ name was also used by Luxton and Thomas in Cognition Associates. Which produced a website where the latest ‘News’ is from July 2013. Cognition Associates was never registered with Companies House.

And now there’s Re:cognition Wales. Or rather, there’s a website. Note that Thomas and Luxton use a lower case ‘c’, whereas the ‘real’ company spells it ‘Re:Cognition’. But again, this Luxton-Thomas company is not registered with Companies House.

One Lu Thomas company that was registered with Companies House was Pitch Consult Ltd. Incorporated July 15, 2019. Struck off January 5, 2021. No accounts were ever filed.

What I found interesting about Pitch was that the other two directors were Mitchell Theaker and Pearleen Sangha, who you may remember from their appearances on this blog. They were Labour councillors in Swansea; part of the student intake needed to keep up the bruvverly numbers.

Jon Luxton has also been rubbing shoulders with celebrities lately. For listed among the directors in Sound Progression Ltd, along with Luxton, we find Cian Ciaran, of Super Furry Animals, and late of YesCymru. This company was Incorporated June 10, 2019.

Given Luxton’s record its time can not be long.

A glimpse of what Thomas and Luxton do is given in this snippet from the NHS. They work for the Labour Party, in its various forms: ‘Welsh Government’, Cardiff Council, etc.

They also work for bodies reliant on ‘Welsh Government’ funding. Reminiscent of the jobs found for the nephews of made men.

To understand how it operates imagine a phone call from Corruption Bay or City Hall: ‘Oh, hello, Lu, love, how’s it going . . . listen, we want you to do one of your surveys, yeah, here are the findings we want from you’.

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And this is why no ‘survey’ conducted by Thomas and Luxton should be given any credence. They are just Labour Party apparatchiks.

The worry should be that these beneficiaries of Labour cronyism get so much work. Work paid for by the public purse. It’s naked corruption.

But it also explains why they were one of the 3 out of 34 applicants chosen by the Arts Council and the Museum to do the ‘research’.

Page 10 of the Thomas and Luxton report tells us (rather clumsily): ‘To note: only one respondent namechecked the Eisteddfod indicating poor reach into this community of mainly English speakers. this lack of Welsh Language art and culture was also demonstrated in the responses to all other relevant questions.’ 

I wonder if this ‘finding’ will be used in future by the ‘Welsh Government’ to deny or reduce funding to Welsh language organisations, events, and projects, or in other ways be used to undermine the language?

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The quote above, from page 12 of the report, about sums up what Thomas and Luxton have to say – ‘Do what our friends in the Welsh Government tell you’.

RICHIE TURNER ASSOCIATES

Whoever these are, they compiled, ‘A research report looking at the reasons why D/deaf, disabled, learning disabled and neurodiverse people do not attend arts events or visit National Museums’ Wales or attend very infrequently’.

While that may have been the ostensible reason for recruiting Richie Turner, his Linkedin profile makes his political leanings very clear. I don’t think I’ve ever seen such a colourful Linkedin header.

Or one less relevant to Wales.

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Richie Turner is of course another Corruption Bay insider. His jobs and appointments listed on Linkedin suggest someone with strong Labour Party connections. For no one in Wales without Labour Party connections could dream of a CV like that.

So what does the Richie Turner Associates report have to say? Though before you read it, I should say that Richie Turner Associates is not a company or a partnership, just an ad hoc group of his friends and, well, associates.

Richie lives in Hay-on-Wye, which is handy for the books, and the festival.

Those who helped him compile his report, also live in the south east. In fact they all seem to live in Cardiff and Gwent. One of them, Lyndy Cooke, is a former director of the Hay Festival. Nice.

Though the report tells us (page 4): ‘Our research engaged with people across all regions of Wales.’

Possibly. But how well do Richie Turner and his gang know these far-flung ‘regions’?

It might also be asked how well Turner knows his associates. For the woman named throughout the report as ‘Mary Allen’ is surely Mary Allan.

There’s little to take issue with in the Richie Turner Associates report. It’s just a litany of complaints followed by a few recommendations. And concluding with some comic book-style illustrations!

Flicking through it a few things caught my jaundiced eye.

This, for example (page 27): “Arty farty type messaging on advertising, such as Gothic and trendy typefaces also make it hard to read from a few feet away in a wheelchair”.

Who could argue with that?

Whereas I found this a little confusing (page 30): “Some places like museums are too big, with too many people. I need less people to be able to go”.

We obviously can’t have empty museums. Museums that attract no visitors will be closed.

All in all, this contribution from Richie Turner Associates may be regarded as the bland filling between two very unappetising slices of bread.

THE WELSH ARTS ANTI-RACIST UNION (WAARU)

It’s difficult to know what to make of this one. For a start – what or who is the Welsh Arts Anti-Racist Union?

I found a Twitter account. I think we can assume that it was started in the period of hysteria following the killing of George Floyd, some 5,000 miles away.

In fact, the WAARU Twitter account started up a week or so after the Arts Council and Amgueddfa Cymru decided to launch their ‘research conversations’ at the end of June 2020. What an amazing coincidence!

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The first tweet was on July 6, 2020, followed by a flurry of tweets that ended on August 11. There was nothing then until a retweet on Oct 20. A further retweet in November, another in December. Then nothing until April 18 and 19. A final retweet on May 14, attacking Israel, and nothing since.

Why hasn’t the Twitter account rejoiced in WAARU’s participation in this exercise? I find this very odd.

We can reasonably assume that the WAARU leans politically to the left, maybe quite far to the left.

There is no website for the Welsh Arts Anti-Racist Union. Just a Gmail address on the Twitter account. So I wrote on Friday morning. I’m still waiting for a reply.

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Anyway, here is the report produced by Welsh Arts Anti-Racist Union. However you look at it, it is a remarkable document.

It suggests that the Welsh language is racist and the Arts Council and Amgueddfa Cymru are both run by white supremacists.

There are ten references in the report to these organisations being ‘white-led’. But in a country that is 95% or more white does the writer expect them to be non-white-led? That would make them grotesquely unrepresentative.

There are also references to Black Lives Matter, reminding us that the report is very much of the post-Floyd era. Summed up perhaps with this paragraph from page 24: ‘One participant asked how Amgueddfa Cymru could see itself as combating poverty, when it’s very purpose involved displaying objects from countries whose wealth had been plundered through colonialism.’ 

No, that is not its ‘very purpose’. What a stupid and insulting thing to say! If Amgueddfa Cymru has a ‘very purpose’ then it’s to celebrate the history of Wales.

But that is not atypical. For a number of times this report comes across as either ignorant of recent Welsh history, or misinformed, or just mischievous. Here’s another example, from page 18.

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There is no ‘Welsh Census’, it’s organised by the Office for National Statistics in London. Not so long ago you couldn’t even describe yourself as Welsh on the census form. That’s why I was one of those protesting before the 2001 census.

But the writer of the WAARU report presents the census as more evidence of structural racism within Wales!

Having mentioned the writer, I ask again – who is it? Because there is no name mentioned anywhere in the report. It is anonymous. So why was it accepted? Or to go back to the beginning, why was the WAARU commissioned to write a report?

Are we to believe that out of the 31 rejected applicants there wasn’t one better qualified!

On page 36 we read this passage: ‘Marginalised artists and art workers should receive support to learn different languages, in addition to Welsh. This additional support is necessary because Welsh language policies in current applications can exclude Black and non-Black people of colour’.

What ‘different languages’ are needed in Wales?

The writer is clearly ignorant of the fact that many ‘Black and non-Black people of colour’ were brought up speaking Welsh, or else have learnt to speak Welsh.

And while there’s solidarity implied with the term ‘Black and non-Black people of colour’ this solidarity is not consistent. Because the Twitter account suggests that non-Black People of Colour might be little better than Uncle Toms.

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Finally, most reports end with findings and recommendations. The report from the Welsh Arts Anti-Racist Union ends with ‘Our List of Demands’. It sounds almost threatening. Like a kidnappers’ note.

Whoever wrote this report may have legitimate grievances, but they’ve gone about airing those grievances in entirely the wrong way.

The national institutions of Wales exist to reflect and to serve the culture, history, identity, and people of Wales. The Welsh language is central to Welsh identity, and for many centuries served as the identifier of Welshness.

Maybe the so-called ‘Welsh Government’ can also remember that.

UPDATE 24.08.2021: Checking the metadata of the three published reports gives Jon Luxton as the author of the Re:cognition report, which is what I would expect. Him or Lu Thomas.

But listed as author for the other two reports are Arts Council of Wales employees.

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There are a number of possible explanations for this. Maybe the original documents were converted from MS Word to PDF format at the Arts Council. If so, why? Those chosen to produce these reports were well paid to do so. Was this work at the Arts council deducted from their fees?

Or is there another explanation?

CONCLUSION

The first report we looked at was produced by Labour Party insiders who carry out research for their comrades. The ‘findings’ are often used to justify legislation and other measures that the ‘Welsh Government’ has already decided on.

I wonder if the ‘Welsh Government’ would pay me to do a survey into the third sector, or housing associations, or tourism . . . or even the ‘Welsh Government’?

The second report told us nothing really except that the Arts Council and Amgueddfa Cymru are doing a bad job when it comes to catering for those with disabilities.

Though much of the feedback was about venues, over which the Arts Council may have little or no control. And as for ’empty museums’ . . .

But that will be overlooked because the report gives the ‘Welsh Government’ another stick with which to beat both organisations.

The third report is just a chip-on-the-shoulder, ‘where’s our grants?’ diatribe. To give it credit for being anything more would be to legitimise the anti-Welsh prejudice running through the report.

Whoever commissioned this report must have known in advance the kind of submission they could expect from the Welsh Arts Anti-Racist Union. Which means that the WAARU was paid to produce exactly that kind of report.

Let’s remind ourselves who heads the two organisations involved.

Phillip George of the Arts Council was previously,‘ Creative Director of the award-winning production company Green Bay Media which specialised in high-end documentary projects for broadcasters in Wales’.

He left Green Bay on March 31, 2016, when he was appointed to the Arts Council. At that time, Green Bay had 14 outstanding charges (loans, etc) with S4C and Finance Wales.

Phillip George re-joined Green Bay on June 30, 2017, as secretary, though I suppose he could have been acting as a director.

The next development came on July 24, 2018, when all 14 outstanding charges were cleared. The company’s registered address was changed on the same day.

On January 14, 2019, a Declaration of Solvency was made and a liquidator appointed. Green Bay was finally struck off May 19, 2020. With George still listed as secretary.

Were those debts really cleared, or were they written off, or was some other arrangement agreed? And why was Phillip George allowed to re-join Green Bay while serving as Chair of the Arts Council?

I don’t know Phillip George’s politics, but here he is with former Labour MP Kim Howells. Does he share Howells’ attitudes to the Welsh language, devolution / independence?

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Prior to taking up the post Amgueddfa Cymru chief Roger Lewis was CEO at that most BritNat and Unionist of organisations, the Welsh Rugby Union.

It’s the third report, from the Welsh Arts Anti-Racist Union that’s getting the media attention, and quite rightly so, so let’s give it a few final thoughts.

Although the report ostensibly deals with the Arts Council and Amgueddfa Cymru, by questioning the role of the Welsh language and perceptions of Welsh identity its impact goes well beyond those two institutions.

Doing it from an ethnic minority perspective is clever, because attacking Welsh identity from a BritNat position invariably generates resistance. It’s much smarter to use the race angle, and maybe get some liberals and socialists onside.

Which makes it difficult to pin down the origin of this survey. Because if someone is trying to introduce Critical Race Theory into Welsh public life, for the disruptive effect it guarantees, then that source could be Marxist left or Unionist right.

Whatever the source, if enough people can be persuaded that defending Welshness is ‘racist’, then this will impact negatively on the growing interest in Welsh independence. The ‘racist’ slander can even be used against those demanding action on holiday homes.

Where does it end?

Maybe campaigning against Tryweryn was ‘racist’. And perhaps it’s ‘racism’ that sustains our national sporting teams. Why not just merge with England and join in singing GSTQ at Wembley and Twickers?

No one should be publicly funded to question a nation’s existence. Both bodies must explain why they chose the Welsh Arts Anti-Racist Union.

We, who’ve paid for it, are entitled to know who wrote the WAARU report.

Finally, perhaps the real lesson from this fiasco is that Wales must have independence. Not just from England, but also from Cardiff Bay.

♦ end ♦

 




Miscellany 28.07.2020: One Planet Developments, Gower Caravans, Holyhead flats, Ffordd Penrhyn

PLEASE APPRECIATE THAT I GET SENT MORE INFORMATION AND LEADS THAN I CAN USE. I TRY TO RESPOND TO EVERYONE WHO CONTACTS ME BUT I CANNOT POSSIBLY USE EVERY BIT OF INFORMATION I’M SENT. DIOLCH YN FAWR

As promised, here’s another bumper issue, four pieces from hither and yon; so even the most discerning of readers should find something to entertain or inform. If you’re lucky, you’ll be entertained and informed!

ONE PLANET DEVELOPMENTS

As I suggested in the previous post, information is coming in about OPDs from many different places, so maybe a bullet point update is the best way to go about it.

For those new to the subject, OPDs were introduced by the Labour-Plaid Cymru coalition management team (2007-2011) as a gesture to show that Wales was playing its part in the fight against global warming.

The truth was that the nonsense was engineered by Minister for Hippies, Jane Davidson, whose friends didn’t want to pay market prices for smallholdings. This explains the ‘Welsh Government’ bringing out Technical Advice Note 6, which made it clear to planners that any dreadlocked planet-saver who showed up on their patch should be allowed to build whatever he wanted, wherever he wanted.

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  • Jane Davidson is an odd old trout. I’m not sure if she has any genuine academic qualifications, but she likes to call herself ‘Doctor’ on the strength of an honorary doctorate from Ponty Poly. Confusion is also caused by her relationship with Harvard University, in the USA, to which she once made a flying visit. Last week her Wikipedia entry was claiming that she was a faculty member, until someone queried it, after which it was changed to, “In 2017, Jane was guest faculty in the Executive Education for Sustainability Leadership programme at Harvard University’s T.H. Chan School of Public Health.” Which explains everything . . . I suppose.
  • For those still unsure about exactly what One Planet Developments are, here’s some ‘Lessons in Best Practice’ from the experts at the Lammas eco-village.
  • “But how do they support themselves?”, you ask. For a start, they grow their own broccoli, which can be eaten for any meal. And they bring in the readies by conning the gullible to join them in an orgy of shamanic drumming. Who can say no at £250 a pop?

    Click to enlarge
  • Another way money is being made – and we’ll see a lot more of this in the future – is selling off OPDs. A one-bedroom ‘Hobbit House’ is currently on the market with an asking price of £475,000. Though this WalesOnline article stresses that there are still questions as to whether the property has valid planning permission.
  • Here’s Tess Delaney’s take on it in the Pembrokeshire Herald. Tess herself lives on a OPD.
  • The pre-application request for advice regarding the OPD at Ilston, on Gower, is no longer available on the Swansea council website, as the applicants have been told to go away and do their homework again. To get the story, go to this post and scroll down to the section ‘Brighton Greens discover Gower’.
  • A source tells me that the Ecological Land Co-operative of Brighton already has a presence in Wales, at Llangolman in Pembrokeshire. Living apparently in a log cabin brought in from Bristol. Cabin in situ after ripping up ancient hedges. Nice access road, though, which must have cost a bomb.
  • Another OPD settlement I’ve written about recently is the one at Llyn Adain Gwydd, near to Llangarthginning farm at Meidrim. Though this is a bit complicated. On the one hand, Neil Moyse, once of Lammas, seems to be going through the planning system with his application W/39846. But there are things happening that deserve a separate mention.
  • In ‘One Planet Developments, getting devious‘, I mentioned the behaviour of woodlands.co.uk, which gets planning permission for ‘access roads’ for timber-related purposes that open up woodlands for leisure and other use. A source says of such a road at Meidrim: “This track now has small bays . . . each with names that are being sold off for holiday motor homes to park up in. We have notified the council who gave notice for the vehicles to be removed. As yet not all have gone. The owners attend now and then . . . “

One Planet Developments were a pointless bit of virtue signalling to begin with. But whatever one thinks of them there is no question that they were intended for families or small groups to live a self-sufficient, off-grid life.

Before OPDs the only way to get planning permission for a new dwelling in open country was to claim that it was for a forestry or agricultural worker. This system was widely abused. One route was ‘retirement bungalows’ . . . to which farmers never retired.

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With planners clamping down on the ‘rural employment’ route OPDs are now just about the only way of getting planning permission for a new dwelling outside of settlement boundaries. Consequently, the OPD option was bound to attract the unscrupulous.

Labour and its partner Plaid Cymru will do nothing to curb either the spread of OPDs or the abuse of the system. Partly because OPDs are their ‘baby’, and partly because highlighting the abuse would only draw attention to an absurd piece of legislation.

Conversely, any other political party promising to clamp down on OPDs, and the underhand tactics OPDs encourage, would pick up a few votes in next year’s elections.

MORE CARAVANS FOR GOWER!

I’ve written quite a bit about Gower recently, and it’s made me nostalgic for school holidays spent in Port Eynon, and teenage years angling, everywhere from Mumbles islands right around the coast to Blue Pool and Broughton.

Happy days!

We return to Port Eynon because someone wants Gower to host another caravan site . . . yet another caravan site. For that’s what is mooted in a pre-application enquiry to Swansea council. You can read about it here.

Here’s a direct link to the enquiry, but if it doesn’t work, then you’ll need reference number 2019/2541/PRE for the search box.

You’ll see that the council’s initial response, delivered earlier this month, was negative; but there’s a good chance that the project will return, in some ‘repackaged’ form, so let’s try to see who and what are behind it.

Let’s start by locating the project, which the pre-application enquiry tells us is ‘Land lying south of Highwinds, Port Eynon’. And there’s a plan, showing a succession of fields to the east of the A4118 running down to the village.

Image: Google Earth. The planned caravan site – coloured a tasteful shade of pink – is, at 8.4 Ha, almost as big as the village. You can also see that Port Eynon and neighbouring Horton already have more than enough caravan pitches. Click to enlarge

These fields are owned by a local family named Jones. (No relation.)

I’ve described the project as a caravan park, but that doesn’t do it justice, for the council website tells us that what’s planned is “a holiday park consisting of holiday lodges, static caravans, touring pitches and tent pitches with ancillary facilities blocks. Along with this the proposal includes an events field and car park”.

If this is approved, then the road into Port Eynon will start to look like the descent into Hell that is the A486 as it drops down into New Quay.

OK, so the Jones family owns the land, but are they behind the planning application, or is it someone else, perhaps someone willing to buy the land if planning permission can be obtained?

Because while I’ve argued in favour of farmers being allowed to supplement their incomes with small caravan sites, this goes way beyond what I could support.

Perhaps the potential purchaser is the applicant, Sutton Hospitality Consultants of Boldon, Tyne and Wear. The website looks quite professional, and the company boasts an impressive-looking team of 16.

Yet, strangely, the Sutton Linkedin page says it has ‘1 – 10 employees’.

Another curiosity is that the company number given on the website, 11250475, turns up Hospitality Consultants Global Ltd. A company that was only launched in March 2018 – as Ephihany (sic) Hotels Ltd!

The only director until 20 February, 2020 was Andy Sutton, but then he was joined by the gloriously monikered Paul John Hotson Brinton Thatcher. (I kid you not!) Thatcher has a string of companies to his name, but Sutton’s background is less clear.

There is another company we need to look at, Sutton Hospitality Park Management Ltd. There have been some strange happenings there. The company was launched as recently as 12 November, 2019, with Sutton as the only director. He was joined 20 February by Thatcher . . . who resigned the same day.

Yet the registered office moved from Sunderland to West Sussex 17 December, 2019, which suggests that Thatcher was involved before his day as director. The fact that the registered address is still in West Sussex would argue that Thatcher is now in charge.

As we’ve seen, Thatcher has a string of companies, but what is Sutton’s history?

Well, let’s start with four rather iffy-looking companies. In the order they were Incorporated.

First, Passion Safe and Secure Ltd. Incorporated 25 February 2010, compulsorily struck off 8 March, 2016. This company has one of the most bizarre series of entries I’ve ever seen on the Companies House website.

For not filing a confirmation statement saying the company is still in existence Companies House will automatically strike off, but objections are accepted. And this is what happened no less than six times with Passion Safe and Secure.

Companies House filing history for Passion Safe and Secure Ltd. Click to enlarge

In fairness Sutton resigned 21 May, 2012, but his mate, Michael Downey, kept objecting to the company being struck off even though it was filing nothing and – ostensibly – not trading. Why would someone want to keep a company like that alive?

Seeing as he left that sinking ship early we’ll excuse Sutton. But it’s a similar story with the Beehive Bakery Ltd. Started 30 November 2010, Sutton joined 7 February, 2011 and left 1 May, 2012. Then it’s a struggle with Companies House to keep alive a company that in 6 years of existence filed no accounts and, again, did not trade. Apparently.

The only director after 1 May, 2012 was Stacey Tanya Stewart, who became a director the same day as Sutton.

Moving on . . .

The next company we’ll look at is The Salon (Northeast) Ltd. Incorporated 21 March 2014, dissolved by compulsory strike-off 10 May, 2016. Sutton was the only director and, again, nothing filed, but one objection to strike-off was made to keep alive yet another company apparently doing nothing.

Finally, there’s Spoilt Rotten Hairdressing Ltd 10 July, 2017 – 11 December, 2018. Sutton the sole director and a straightforward strike-off with no objections.

There may be other companies with which Sutton has been linked, but he often calls himself ‘Andy’ Sutton, and that’s more difficult to follow due in part to a retired ice hockey player of the same name.

And then, all of a sudden, Andy Sutton is in the leisure and holiday parks business with the launch in March 2018 of Hospitality Consultants Global Ltd.

Yet according to this piece from The World of Park and Leisure Homes Show (which Sutton probably wrote and paid for), “Andy Sutton, founder of Sutton Hospitality Consultants lives and breathes hospitality and leisure – it has been his passion for 25 years.” But the article is vague, and gives no examples of this claimed experience.

Given the team he has at his disposal, the link with big shot Thatcher, and a London office, I was surprised to see Sutton use an agent from a little town in south west Wales – Gerald Blain Associates Ltd of Whitland.

Perhaps you remember this outfit from a recent post on this blog? Because Gerald Blain Associates also submitted the pre-application enquiry for the ‘eco-village’ at Dunvant. Remember? If not, read about it here, scroll down to the section ‘Farmlets’.

Here’s the plan.

Click to enlarge

What a coincidence!

I described Gerald Blain Associates then as a “shoestring outfit”, which was fair enough seeing as its net worth is said to be £49.

So many companies with sod all money working on big contracts. What’s going on – have we entered a parallel dimension of cashless business?

I say there’s more to this than meets the eye. If it is the Jones family’s project, how did they find the same agent as the one being used by the luxury OPD estate at Dunvant? And how did they find Sutton, with his chequered business record and little apparent experience in this field?

One thing I’m pretty sure of, Sutton is a front man. Who for? Well, a stab in the dark might get a scream out of Paul John Hotson Brinton Thatcher.

Something I’m absolutely sure of is that Port Eynon does not need any more bloody caravans, or ‘lodges’. The same applies to the rest of Gower, and the whole of Wales. 

HOLYHEAD FLATS

Holyhead is a town that doesn’t get a good press. Although it’s a busy ferry port that doesn’t seem to benefit the town. It just means people driving through to get the boat, and others getting off the boat and driving straight out of town.

This results in a declining community with a very run-down look and dilapidated buildings. But this decline attracts those who pretend they’re some kind of social workers when in reality all they want is to buy a cheap property, pack in as many problem cases as possible, and then charge as much as possible for housing them.

Thus completing the cycle of decline.

This is how it began in Rhyl, when ‘bucket and spade’ holidays ceased and the men who wore knotted handkerchiefs on their heads died off. Small hotels and B & Bs came available cheap, attracting unscrupulous bastards who saw an opening to make serious money. Which gives us the Rhyl we see today.

A new planning application for a building in the centre of Holyhead reminds us of this phenomenon. It’s for the old main post office on Boston Street. Which, as you can see in the capture from Google, is quite a substantial building. The Newry Nursery mentioned as objecting is right next door.

Image: Google. Click to enlarge

Also mentioned, as being the applicant, is Benjamin Popat, so who’s he? Let’s take a look at the planning application, see what we can learn. Here’s a direct link, but if it doesn’t work then it’s number FPL/2020/39 on the Ynys Môn planning portal.

However you got there, you’ll see that the applicant’s name is confirmed as Benjamin Popat, and the agent is a John Wyer. If you click on the application number in the ‘Documents’ row you’ll access the other documents submitted in support of the application.

The plans were drawn up by John Wyer of T.Sgwar, who was also agent for a very similar project to what is now planned for Holyhead, this one on the Maesgeirchen estate in Bangor. There he was agent for Bangor firm Shilling & Shoker Enterprises. Ltd, now dormant, which might have been set up specifically for the Maesgeirchen job.

Though who Shilling was, I have no idea. The two directors were Mangal Singh Shoker and Michael Williams. Who are also the directors of Shilling and Shoker Enterprises 11 Ltd, where Shoker is now known as ‘Manny’!

Shoker also has a few other companies.

But what of the applicant, Benjamin Popat? I found a Linkedin page for a Ben Popat, who drives for Arvonia Coaches of Caernarfon. I assume this is him; right name, right area. But it’s quite a departure for someone who takes Cofi oldies on coach trips to be planning a major building conversion in Holyhead.

Let’s come at this from another angle by seeing who owns the building.

The Land Registry tells us that 13A Boston Street, Holyhead, was bought for £70,000 in September last year by Village Views Ltd of Sittingbourne in Kent. Quite a way from Holyhead, in more ways than just miles.

So now you need to know about Village Views Ltd.

To start with, this company was only set up 7 February, 2019. And the sole director is Sunil Popat. But it’s been busy, already having taken out a loan, with CPF Two Ltd, which itself set up as recently as 30 August, 2018.

This loan to Village Views was to buy land and buildings in Sittingbourne.

Lender CPF Two Ltd has also taken out loans for itself. One with Yes Growth Ltd, which is in the business of short-term, unsecured loans; the directors are British, Italian and South African. CPF Two’s other loan came from ‘specialist lenders’ OneSavings Bank Ltd, which is owned by Kent Reliance, which is in turn owned by . . .

At the risk of confusing you further . . . CPF Two, which lent the money to Sunil Popat’s Village Views to buy the land and property in Sittingbourne, has now been taken over by We Are Catalyst Ltd, which was set up ages ago, as far back as August 2017 in fact.

The only director of We Are Catalyst is Christopher Gareth Fairfax . . . who is also the only director of CPF One Ltd, which should not be confused with CPF Two, which lent money to Village Views. And the only director of CPF Two is – go on, have a guess!

Which means that CPF Two Ltd has been taken over by We Are Catalyst Ltd, which is owned by CPF One – with the same, single director running all three!

So many lenders, and all household names, shuffling money around, perhaps hoping nobody can follow the trail. This is the underbelly of the ‘financial sector’ that makes the UK so attractive to those with a ‘buccaneering’ approach to business.

I am not for one minute suggesting that any of those mentioned in this article are involved in money laundering. This illustration is used for, well . . . illustrative purposes. Click to enlarge

Back to Holyhead.

If planning permission is granted then the old post office will not be tenanted by clean-limbed local lads leaving Mam and Dad for the first time to enjoy the freedom of a bachelor existence.

No, the old post office will become a bail hostel or similar establishment catering for those with ‘issues’. Few if any of those living there will be local to Caergybi or even to Ynys Môn. Holyhead has been chosen because the town is run-down and property is cheap. This hostel will then feed into the spiral of decline I explained earlier.

This is why the council must refuse this planning application. It would be better for the council itself to buy the old post office and rent it out cheaply to a local group.

But if Cyngor Sir Ynys Môn does consider allowing the application then the first step should be to establish who’s behind it. Is the ‘Benjamin Popat’, named on the planning application as the applicant, the same person as the ‘Sunil Popat’ of Village Views Ltd? If so, why two different names? If they’re different people, then what’s the connection?

Though my advice to the council would be to reject the application without any further ado because you know what the old post office will be used for. Your responsibility is to the town of Holyhead, not to some property speculator in Kent.

FFORDD PENRHYN

There was a bizarre debate last week when Stand up to Racism Cardiff and the Vale (a front for the Socialist Workers and Rapists Party), speaking for Black Lives Matter, opposed a road in Barry being named Ffordd Penrhyn because its spokesperson believed it celebrates Baron Penrhyn, who had estates in the West Indies worked by slaves of mainly African descent.

This woman, a lawyer named Hilary Brown, was wrong, of course, and it was pointed out to her that Penrhyn is Welsh for promontory or headland, and referred to Barry ‘Island’. Despite realising she’d landed herself in a hole Brown kept digging and responded with, “That’s unacceptable and I want it changed”.

So ancient Welsh (and Cornish) place names are unacceptable to Hilary Brown.

Image: WalesOnline. Click to enlarge

An absurd position, though as the Penrhyn family name was Pennant does Brown also want us to scour the map looking for cottages, farms, hamlets, etc bearing that hateful name – and then change them all to something more acceptable to her?

This insulting nonsense is little different to English colonists and holiday home owners changing the name of their property from Welsh to English.

I suppose the problem for Hilary Brown, Stand up to Racism, the Socialist Workers and Rapists Party, and Black Lives Matter, is that they desperately want to exploit George Floyd’s death but in Wales the opportunities are limited by the absence of the prime commodity – racism. So they end up looking rather silly glaring at a piece of metal.

Thankfully, Hilary Brown is just a rabble-rouser without a rabble.

But she is an enthusiastic digger, as was proven when she threw up a few more spadefuls with, “Wales’ shameful legacy in slavery”.

WTF! National guilt! The only names I’ve heard mentioned are Penrhyn and Thomas Picton. (And I guarantee that Brown and her allies hadn’t heard of either man until a few months ago.) And because of Penrhyn and Picton all Welsh people somehow had a hand in slavery.

Do you accept that?

Though it soon becomes clear that BLM is only interested in white on black slavery committed between the seventeenth and nineteenth centuries in the Americas, more especially, the USA.

The fact that during the same period Barbary corsairs were carrying out slave raids on the coasts of Europe, and the Turkish empire enslaved Slavs and Central Europeans, doesn’t count. Black Africans being sold today in the slave markets of Libya is ignored. The fact that slavery has been practised throughout history is irrelevant.

And don’t mention Leicester!

So it’s not really about slavery at all. It’s about hostile feelings towards white people.

And slavery and racism are certainly unimportant for those cheering on Black Lives Matter. Not the infantile exhibitionists of Antifa but those who sense an opportunity to re-shape Western society; an ambition they believe can be be served by encouraging riots and looting in 2020 and blaming it on the Confederacy, or Columbus, or some poor bugger left a few shares in a sugar plantation by an uncle he never met.

Writing about retrospective accusations makes me think of the treatment meted out to Oliver Cromwell in 1661, after the Restoration of Charles II. His rotting corpse was disinterred and left hanging for three days before being beheaded. The head was then placed on a spike above Westminster Hall.

Though, in fairness, no one was unreasonable enough to suggest that Cromwell’s guilt should be passed down to his great-great-great-great-grandchildren.

What’s more, not even the most ardent royalist has tried to topple regicide Cromwell’s statue outside the House of Commons.

Which means I suppose that Cromwell’s ‘trial’ and subsequent treatment by his political opponents is not really a valid analogy for what we witness today, so let me introduce a more recent example.

I believe the death of George Floyd is being used by liberals, leftists and their foot-soldiers in a very similar way to the Nazis’ exploitation of the Reichstag fire in 1933, with police officer Derek Chauvin reprising the role of Marinus van der Lubbe.

Van der Lubbe was a Dutch Communist, acting alone, but it served the Nazis’ agenda to present him as the instrument of a vast Communist-Zionist conspiracy bent on enslaving the German race, and then use that ludicrous fabrication to take control of the media, suspend democracy and, ultimately, carry out the Holocaust.

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Similarly, for those we’re discussing, Derek Chauvin can’t be viewed as an individual who did something wrong; he must be portrayed as the embodiment of a racist system built on the suffering of African-Americans.

Today’s enemies of democracy wear trainers not jackboots, but they’re using the same tactic of misrepresenting the action of an individual to blackmail or frighten us all into surrendering our freedoms.

Objecting to being vilified and intimidated, speaking up when your national identity is trivialised and dismissed, does not make anyone a ‘racist’. Hilary Brown and her allies should learn that the respect they demand of others, they must also give. They have harmed their cause with their arrogance and their intransigence. 

FOOTNOTE

A central and worrying feature of this débâcle is the refusal of Brown and her supporters to accept the truth. Here are a couple of comments posted on Sunday to the Bro Radio website in response to a local Plaid Cymru councillor coming to Brown’s rescue.

Click to enlarge

Neither Jemima Williams nor Elizabeth Millman seem able to accept that the naming of the road has nothing to do with any Baron Penrhyn or slavery. Millman even expects the council to apologise! For what?

If they still believe that the Vale of Glamorgan Council deliberately named a road after a slave-owner then it’s impossible to hold a rational debate with people like this.

Scroll down in the comments and you’ll come to Trevor Macey telling us that street names shouldn’t be in Welsh. I avoid using the term ‘gammon’ but it could have been coined for Trevor Macey.

Click to enlarge

He’s drawn to this debate because it provides him an opportunity to join in what he clearly sees as an attack on the Welsh language. Predictably, Trevor Macey doesn’t support BLM either.

Whoever allowed his comment obviously hadn’t dipped into Trevor Macey’s Facebook page, where they would have found an image of George Floyd. Make sure you click on this.

If nothing else, this Ffordd Penrhyn episode reminds us that the enemies of Wales come in all shapes and sizes, all creeds and colours, and from all points on the political spectrum. The same applies to those who want the best for Wales.

Some among us need to remove their blinkers in order to tell the difference.

♦ end ♦