Reverend Bobbins speaks to the nation

I’M IN SEMI-RETIREMENT AND THIS BLOG IS WINDING DOWN. I INTEND CALLING IT A DAY IN THE NEXT FEW MONTHS. POSTINGS WILL PROBABLY BE LESS FREQUENT AND I WILL NOT UNDERTAKE ANY MAJOR NEW INVESTIGATIONS. DIOLCH YN FAWR.

I present another guest post on the tribulations afflicting YesCymru. Though you mustn’t think that I’ve derived pleasure from reporting on those tribulations, far from it.

Though the way I see it, the threat from an ill-starred and unlikely assemblage of entryists, chancers, and downright odd-balls, was confronted, and defeated. So we can all laugh about it now.

But let’s remember that we humans are all different, and that is true diversity. It doesn’t need to be labelled and imposed by diktat. Diversity just needs to be quietly and generously accepted. For labelling human beings almost always ends badly, because it’s invariably done to promote extreme forms of politics.

As we have so recently seen in YesCymru.

Now read on and have a bit of a laugh.

BBC Wales: Transcript of our interview with the Reverend Bilbo Bobbins

Roderick ap Fechan (for it is he): Good afternoon Reverend Bobbins, and thank you so much for inviting me to the manse after what has been a very stormy time for your church.

BB: Indeed, but things have been a little quieter of late, and I feel that in a very real sense it is now time for me to speak out and set the record straight.

Before our interview could proceed a large housekeeper with very hairy legs, a beard and a floral dress entered bearing a tray laden with Welsh cakes and a pot of PG Tips.

BB: Ah, Mrs Boyle. Thank you, thank you. You know it’s hard to believe it Mr ap Fechan, but until a few months ago Mrs Boyle was a loose head prop with hopes of making it into the Ospreys, but then she read an article on non-binary fashion by one of our Deacons, and the rest, as they say is history.

You can put the tray down here, Mrs Boyle.

Mrs Boyle: Feck off.

BB: Thank you Mrs Boyle, you little minx. Now, Mr ap Fechan, where were we?

ap Fechan: How do you respond, Reverend Bobbins, to claims that your church was taken over by a group of extreme left wing fanatics at the annual picnic in May?

BB: There is not a scintilla of truth in this, and Comrade Guacamole has given me assurances to that effect. In fact he introduced me to an interesting gentleman known as Honest Bob who told me that the list of candidates he put forward represented a range of perfectly innocent cultural groups, and it was in that spirit that I for one welcome members of the Welshpool Trotskyite Crochet Circle, the Maesteg Marxist Doglovers Association and the Swansea Revolutionary Sadomasochistic Front.

As I understand it, only Comrade Guacamole himself is an active member of a political party.

ap Fechan: One of the deacons, Ms Moonbeam Molotov, said on Twitter that she wanted to burn the church to the ground. How do you reconcile this threat with her membership of your ruling body?

This image is used for purely illustrative purposes, to show people what dynamite looks like. Like. Click to open in separate tab

BB: Another complete misunderstanding. When I asked Ms Molotov about the cans of petrol she was storing in the church and the boxes labelled TNT in the vestry, she explained that the petrol was for the church minibus and that the large sticks of what looked like dynamite were in fact just fireworks bought in preparation for our annual Guy Fawkes celebration.

ap Fechan: There have also been allegations that a large sum was transferred from church funds to an account belonging to a member of the Welshpool Trotskyite Crochet Circle to finance a planned film featuring ‘marginalised talent’. How do you respond to that?

BB: Comrade Guacamole told me that he had received assurances from the young lady concerned that the money was merely resting in her account, and I think we can put that matter to bed, don’t you?

ap Fechan: Reverend Bobbins, there have been multiple complaints of bullying and harassment of the membership. What do you have to say about that?

BB: I was shocked to learn from the deacons after the annual picnic that our church was no longer a safe space for true believers, and that we had been infiltrated by heretics they called “terfs” and “fashies”. That was why Comrade Guacamole, Ms Gwenda Whiplash, Moonbeam Molotov and the others worked tirelessly to produce a three step procedure for unmasking the heretics.

To my astonishment they revealed that one former deacon and one newly elected deacon were in fact witches, and Ms Molotov and Ms Whiplash set about preparing to have them burned at the stake in the church grounds.

I felt this was unwise in view of the large quantities of petrol and fireworks Ms Molotov had stored on the premises, and so the sentence was commuted to excommunication and eternal damnation, which I felt was more compliant with health and safety regulations.

So, far from being divisive, I came to see that Comrade Guacamole, or Y Mab Darogan as I sometimes call him, and his followers had been sent to restore harmony to our congregation. Indeed, as Honest Bob said to me, “Oi, vicar, don’t you think that Comrade Guacamole, with his flowing beard and sandals, may have been sent to live among us sinners once before?”

ap Fechan: Bringing things up to date, Reverend Bobbins, the Daily Wales is reporting that a formal complaint has been made to S4C about a satirical video featuring a man called DJ Bry. Would you care to comment about this?

BB: I am enormously grateful to Mr Huw Janus, the proprietor of that esteemed organ, for the support he has given to our deacons who regrettably recently resigned en masse. As Mr Janus himself said the other evening, satire is all very well, but the references to social services and revenge porn were extremely upsetting.

Gwenda Whiplash, and I am reminded of Mary Magdalene here, has done a great deal of vital missionary work, and as her OnlyFans page says, at very competitive rates.

This image is, again, used for purely illustrative purposes. Click to open in separate tab

ap Fechan: And finally, Reverend Bobbins, how do you see the future for the church?

BB: It was with a heavy heart that I stepped down from my duties, but in a very real sense we are all to blame, are we not? Perhaps some members have been a little too enthusiastic on Twitter, but I am confident that we can rebuild, and Honest Bob has put me in touch with what he tells me is a very reliable firm of builders who will restore the smouldering ruins of the vestry to their former glory.

ap Fechan: Thank you, your grace.

♦ end ♦

 

Enviroshysters flock to Wales for easy money

I’M IN SEMI-RETIREMENT AND THIS BLOG IS WINDING DOWN. I INTEND CALLING IT A DAY IN THE NEXT FEW MONTHS. POSTINGS WILL PROBABLY BE LESS FREQUENT AND I WILL NOT UNDERTAKE ANY MAJOR NEW INVESTIGATIONS. DIOLCH YN FAWR.

As is so often the case, this week’s post began life with someone sending me a ‘this might interest you’ snippet. Sure enough, it did. Because once I started digging, all sorts of interesting information came to light.

LIFE WITH THE BEAVERS

It all started with a news item from the Cambrian News, about a ‘conservation retreat’ not allowing onto the property people who had been vaccinated against Covid-19. I don’t buy this ‘paper and I try to avoid reading it because I’ve never trusted the Cambrian News. (I give some reasons in this short pdf document.)

As you’ll see, the CN report gives the name of no individual so, on the assumption that this ‘conservation retreat’ doesn’t run itself, and isn’t run by the beavers, I started my enquiries.

I soon realised that the story had also appeared in English dailies, and they had no hesitation in naming Sharon Girardi as the woman running Blaeneinion. So why would the local rag be so reticent to name her? Local weeklies survive by naming local people doing this and that. That’s why locals buy them.

Image: Daily Mail. Click to open in separate tab.

Next step was to the Land Registry, to see who owns Blaeneinion. And now it gets really interesting. Here’s the LR title document. I suggest you open it in another tab and keep it open.

You’ll see, on the first page, that the property is owned by Endeavour Ltd, a company registered in Gibraltar. And that it was bought for £595,000. At the foot of page 2 we read that Endeavour Ltd bought Blaeneinion on November 13, 2008.

Next stop, Gibraltar.

Companies House in Gib is quite efficient and helpful, and so I had few problems in buying a company profile for Endeavour Ltd. Though, this being Gibraltar, the paperwork doesn’t tell us much. Here it is anyway.

We learn that Endeavour Ltd was set up April 14, 2008. Some 7 months before the purchase of Blaeneinion. Perhaps created specifically for that purpose. Maybe other properties were bought.

Two thousand shares were issued and they’re all held by Gibraltar International Trust Corporation Ltd (GITCO). An old entity, this; Incorporated in November 1968.

You will not be surprised to learn that GITCO appears in the Panama Papers, where it links with other exotic forms of commercial life such as Cathay Transport Ltd of the Bahamas.

Image: International Consortium of Investigative Journalists. Click to open in separate tab

But, thanks to Open Corporates, we also find GITCO linked with a new company nearer home.

I’m referring now to Friar Street Properties Ltd, Incorporated with Companies House as recently as March 29, 2021. There, among the directors, we see Gibraltar International Trust Corporation Ltd.

Why would Gibraltar International Trust Corporation be named as a director for a small-scale property company operating out of the red brick office in Worcestershire of Hayward Wright Accountancy Group? Especially as this new company seems to be the only one in the UK with which GITCO is officially linked.

This sumptuous accommodation seems to be the base for Alistair Graeme Hayward-Wright, director of Friar Street Properties and many other companies. Though the latest accounts filed suggest that Hayward Wright Accountancy Group is a dormant company.

Back to Sharon Girardi. She’s not named on the LR title document as a leasee, so it’s reasonable to assume she’s the owner. As such, she must be Endeavour Ltd of Gibraltar. If not, then she’s fronting for someone.

The Daily Mail report tells us that, ‘She has previously been backed by the Forestry Commission to plant 34,000 native saplings at her Blaeneinion estate’. But the FC doesn’t operate in Wales, that role here is filled by Natural Resources Wales.

The image above – of Ms Girardi with ‘Mr Beaver’ – was used in the Daily Mail report I linked to, but I think it appears first in this Daily Mirror article from September 2015. Though the beavers had arrived in 2011.

From the Mirror article we learn that Sharon Girardi kept the wolf from her door through Airbnb. Though as a rewilder, shouldn’t she have welcomed Mr Wolf?

From the Daily Mirror, September 2015. Click to open in separate tab

The more I think about it, the more bizarre this whole story becomes. I can’t help feeling that there’s a lot more to it than meets the eye.

  • It starts out with someone buying a remote property for £595,000 without need of a mortgage.
  • But they claim they can’t make ends meet with organic veg so they go in for Airbnb.
  • Which means that despite claims about conservation and rewilding, what we see at Blaeneinion is to all intents and purposes a tourism business.
  • How much has Natural Resources Wales or any other agency of the ‘Welsh Government’ paid to Endeavour Ltd or Sharon Girardi?
  • Assuming Sharon Girardi is Endeavour Ltd of Gibraltar, what is the ‘Welsh Government’s position on funding companies based in tax havens?
  • Come to that, why did Sharon Girardi feel the need to buy Blaeneinion by this roundabout route?
  • Though if she’s not the owner, then who is?
  • What is the connection between Endeavour Ltd and Friar Street Properties Ltd?

HORSING AROUND

Not far from Blaeneinion there is a similar but larger venture, only this time, instead of beavers, it’s Konik horses . . . at the moment. And while beavers were once native to Wales I’m pretty sure our ancestors never saw these critters.

They’ve gained quite a bit of publicity over the years, they’ve even appeared on this blog, in The Green Menace, back in August 2018. Here’s a BBC report about them.

(It seems Wales has no native horses that could have been used.)

As the BBC report tells us: ‘Cambrian Wildwood wants to extend native woodland from 10 to 100 acres across its land using natural projects. It is looking after a 350 acre site which was acquired by Wales Wild Land Foundation (WWLF) on a 125-year lease from the Woodland Trust, which bought the land.’

Wales Wild Land Foundation operates as Cambrian Wildwood. It’s explained here, with maps, in the Management Plan 2017 – 2022. And the plans are ambitious. Some might say unrealistic. Even worrying.

On page 13 we read: ‘All other native species, including large herbivores, will be present. Some animals requiring cooperation and agreement across a large area of landscape will be longer term considerations: for example, wild boar, moose, bison and red deer.’

There are some pretty hefty beasts named there, with the potential to cause a great deal of damage. Will a bunch of enviro-dreamers, with no experience of domestic livestock let alone wild animals, really be able to restrict them to the 350 acres they manage?

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On the same page we read: ‘For the foreseeable future, it is presumed that the large carnivores (bear, wolf and lynx) will not be present on the site, and it is considered beyond the scope of Cambrian Wildwood to promote these species.’

A confusing sentence, that. It starts off by suggesting that large carnivores might be a long-term ambition, with the concluding phrase hinting that it might be achieved by someone other than Cambrian Wildwood.

So which is it? And if these animals are out of the question, why mention them at all?

Bears strolling into Mach’ for a few pints of a Saturday night, and wolves taking down Mrs Evans on her way to the Co-op, should certainly get the old town rocking.

As I’ve said, Cambrian Wildwood is the operating name for the Wales Wild Land Foundation. So let’s turn our attention away from carnivores stalking the denizens of Machynlleth to a form of parasite to be found a-plenty in the nearby hills.

Wales Wild Land Foundation is a CIO; that is, a Charitable Incorporated Organisation. Here’s the link to its Charity Commission page.

You’ll see that it was formed in 2014, which makes perfect sense. For in December 2013, Alun Davies, then Minister for Natural Resources and Food in the ‘Welsh Government’, announced that the maximum 15% of CAP payments would be transferred from Pillar 1 to Pillar 2.

Which meant taking money from Welsh farmers and transferring it to what were euphemistically called ‘other rural activities’. In other words, those who had lobbied against farmers and expected to profit from the diverted funding.

My notations in red. Click to open in separate tab

It may have taken a while to start, but the funding is definitely flowing now. As you’ll see from the table above, ‘Welsh Government’ funding for the WWLF rose from nowt in y/e 31.03.2018 to £349,773 in y/e 31.03.2020.

If it keeps increasing at that rate they’ll soon be grazing thoroughbreds at Bwlch Corog!

And what’s the money for? Well, I suppose a cynic might say it’s for ‘looking after’ land that could just as easily look after itself. But nice work if you can get it.

And when ‘Dr’ Jane Davidson, former ‘Welsh Government’ Minister for Environment and Sustainability (2007 – 2011), is your Patron, then the funding from Corruption Bay tends to flow much more freely.

The long-term ambition seems to be to buy the 350 acres currently leased from the Woodland Trust and fit it into something bigger.

This piece from GlobalGiving talks of, ‘7,000 acres of native woodland, heathland and rivers will be restored. Animals like red squirrel, water vole, wild horse, deer and bison will be living in the wildwood.’

Actually, it’s 7,413 acres, or 3,000 hectares. And it seems to be part of the Dyfi Biosphere project. Explained here.

Click to enlarge

I wonder how much local people know about these plans.

But then, locals aren’t important. What matters is that those drawing up the plans have the ear of politicians and civil servants in Corruption Bay. And that they are united in wanting to replace farmers and other ‘obstructive’ indigenes in order to free up vast tracts of our country.

How many jobs and business opportunities will the Dyfi Biosphere create for Welsh people? Very few, if any. But I guarantee we’ll be paying for it.

In fact, I’m beginning to wonder how much we’ve already paid. Let me explain.

The land in question can be easily identified from various images supplied in assorted locations.

But before moving on, I just want to set out a bit more information and some more thoughts. See what you make of it all.

The first piece of evidence is the maps locating the land in question. Due to the recognisable outline it was easy enough to find the title documents on the Land Registry map search. Which is where it gets interesting.

Because I suppose the first question is – why did the Woodlands Trust buy land on which there were hardly any trees? The only sensible answer must be that they intended to plant trees.

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The title document for the purchase of the land tells us that the transfer was completed May 31, 2017. And whaddya know – the lease agreement is dated the very same day!

Clearly, the lease was agreed before the purchase was made; and more than likely, it was that agreement that prompted the purchase. But let’s think about this a little more.

The Woodland Trust bought rough upland pasture, heath and bog. Which it immediately leased to the Wales Wild Land Foundation, for an unspecified amount. Though as we are clearly paying the lease we’re entitled to know much it is.

As the annual report for y/e 31.03.2020 tells us, WWLF expects to be getting a lot of money in future from the ‘Welsh Government’. This explains the increased income we saw in the table above.

Which means that . . .

 . . . the ‘Welsh Government’ is giving hundreds of thousands of pounds, maybe millions, to the Wales Wild Land Foundation to improve land that belongs to an English organisation, the Woodland Trust. Unless of course, WWLF itself buys Bwlch Corog. 

Either way, where is the benefit to Welsh people from throwing vast amounts of public funding at schemes like this? This kind of spending can only be justified on projects owned by and open to the Welsh public. It should not subside hippy fantasies.

‘Welsh Government’ pays one bunch of strangers to lease land from another bunch of strangers and increase the value of that holding, while simultaneously undermining Welsh farmers so as to free up more land for more strangers.

The overall strategy is pretty obvious.

And as I’m sure you’ve guessed by now, this all links with that lebensraum venture, the Summit to Sea rewilding project. But the WWLF gang got cold feet when the public pressure mounted against Summit Sea.

From the Wales Wild Land Foundation annual report. Click to open in separate tab

I’ve written about this episode of colonialist arrogance more than once. So just type ‘Summit to Sea’ in the search box.

Though from thinking about Blaeneinion, Bwlch Corog and other examples it looks as if Summit to Sea may still be going ahead, incrementally, without much fanfare.

TIME IS RUNNING OUT

The ‘progressive’ consensus in Corruption Bay is so wedded to reducing investment, so addicted to greenwash in all its forms, that what we Welsh need no longer figures in their calculations.

This explains why Welsh farms are being bought by hedge funds and others from the City of London.

It may even be valid to compare Wales under devolution with post-colonial Africa. Where we see newly-independent countries ruled by crooks who encourage foreign exploitation but dress it up as ‘investment’ or some other bullshit term.

Because when you think about it, someone buying a holiday home is ‘investing’ in Wales.

These lies make leaders look good but work against the interests of the people they claim to represent. That seems to be the situation both in Africa and Wales.

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Devolution has been a disaster. Not just by the yardsticks of health, wealth and education. But also because we own less of Wales today than we did in 1999.

That’s a sobering thought; and no amount of airy-fairy gestures and ‘look at us!’ virtue signalling can disguise that we are becoming strangers in our own country.

Corruption Bay, including those we elect, is conspiring in this displacement.

Blaeneinion, Bwlch Corog, OPDs, Summit to Sea, etc., etc., tell us the truth about Wales today; who the system really benefits, and where we Welsh fit in.

Before long we won’t fit in anywhere.

♦ end ♦

 




Welsh Arts Anti-Racist Union unmasked

I’M IN SEMI-RETIREMENT AND THIS BLOG IS WINDING DOWN. I INTEND CALLING IT A DAY IN THE NEXT FEW MONTHS. POSTINGS WILL PROBABLY BE LESS FREQUENT AND I WILL NOT UNDERTAKE ANY MAJOR NEW INVESTIGATIONS. DIOLCH YN FAWR.

This is the third posting on the report accepted by the Arts Council of Wales and the National Museum from the mysterious and hitherto unidentified Welsh Arts Anti-Racist Union (WAARU).

The WAARU submission was one of three (out of 34 applications) accepted by the two bodies ‘to undertake a series of in-depth research conversations’, with a view to ‘widening engagement‘ in the arts.

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Before starting, let’s just pause to consider the name of the group, Welsh Arts Anti-Racist Union (WAARU). Clearly, whoever set up this group had already decided that there were racists in the Welsh arts scene. The kind of report the WAARU would produce was therefore entirely predictable.

I am now almost certain that I know who was involved in producing this scandalous report. Though many questions remain.

First, we’ll consider the report itself, then I’ll identify those I believe are responsible for the report, and finally, pose some questions.

THE REPORT

We don’t have space to go through the full report so instead, I’ll do what many of us do in such circumstances and head for the Recommendations. Except that in the Welsh Arts Anti-Racist Union document there are no Recommendations.

Instead we find, beginning on page 27, ‘Our List of Demands’.

These Demands are broken down into ‘Immediate’, which must be met within 14 days of the two bodies concerned receiving the report. ‘Short Term’, within six months. ‘Medium Term’, 6 to 12 months. ‘Long Term’, 1 to 2 years.

Before looking at the Demands themselves I’ve taken the following extract from ‘Principles’ on page 29, which sets the tone for what follows.

‘NMW-AC and ACW cannot accept that the racist situation we find ourselves in needs to change without equally accepting the role they play in maintaining it. As a result of this, they cannot be trusted to lead us out of this situation and must hand over significant power to Black and non-Black people of colour . . . .NMW-AC and ACW have been upholding white supremacist ideology.’

Suggesting that the Arts Council of Wales and Amgueddfa Cymru are irredeemably racist and should hand over the reins to, presumably, the authors of the report.

Moving on to the Demands themselves, starting at the foot of page 29 we read:

‘A budget commitment for at least five years offering regular and substantial grants for Black and non-Black artists of colour (prioritising people who experience multiple marginalisation). Access to the grant will not be conditional or selective.

Funding to shift from being governed by ‘outcomes’ (including artwork production, public exhibition and ‘community’ workshops) and towards self-identified/ self-measured artist development or community activity.

The only way I can interpret this is that Black and non-Black artists of colour should get paid for doing nothing. Perhaps get paid just for being, er, Black and non-Black artists of colour.

On page 30 we read an appeal for ‘democratisation and transparency’ . . . in a report that is itself unsigned and completely anonymous! (Page 23 is even headed: ‘The need for transparency’!)

On page 31:

‘All expressions of interest / applications longer than 500 words and interviews involving preparation tasks must offer payment to people from marginalised backgrounds as a means of positive action towards more diverse applicants. In a similar vein, all interview offers must come with a clear offer of access costs towards child care, time off work etc (which can be accessed anonymously).’

Demanding payment for completing application forms. But only for people from ‘marginalised backgrounds’.

I think we can safely assume that ‘marginalised backgrounds’ is another way of saying, ‘Black and non-Black artists of colour’.

On page 33:

‘If an employee from a marginalised community feels they need to leave their place of work due to discrimination, they will receive their full salary over the duration that they were contracted to work.’

‘Marginalised community’ is yet more code.

Here’s something else that caught my eye, this time from page 34:

‘NMW-AC and ACW should not be the sole bodies in charge of large budgets and / or distribution of funds. This process should be decentralised to other individuals and organisations, to increase transparency.’

That word ‘transparency’ again. And, again, it’s about money. Money. Money.

Towards the bottom of the same page we encounter:

‘A transformative justice and care fund made available for Black and non-Black people of colour, disabled and neurodivergent people, trans and queer people, people on low-income and people with refugee/asylum seeker status who work as freelance artists or as art workers, who have experienced harm and traumatic experiences within NMW-AC, ACW and all their funded organisations.’

‘I’ve had a traumatic experience with the vending machine – pay me!’ No, I’m not being flippant; it’s just that this section doesn’t explain what qualifies as ‘traumatic’. Though I’m sure we can guess who will qualify – and it won’t be no old honky like Jac!

You may – like many others – be confused by the report’s use of the term ‘Black and non-Black people of colour’. Helpfully, it’s explained in a footnote to page 3.

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It’s all-embracing: Navajo and Nepalese, Hausa and Han, Mongol and Melanesian.  Lumping non-white humanity under one clunky label to align them all against the pith-helmeted white supremacists of the Arts Council and the National Museum.

It’s really sad, almost delusional; the idea that non-white people everywhere share the views of some far left malcontents in the Cardiff arts scene.

This ‘report’ from the Welsh Arts Anti-Racist Union is a ransom note. And like all ransom notes its authors remain anonymous. The other similarity with a ransom note is that its primary purpose is to extract money.

THE UNMASKING

In case you’re new to this saga, it may be worth glancing at the Welsh Arts Anti-Racist Union (WAARU) Twitter account, which suggests the WAARU was born in early July, 2020.

As I wrote in ‘Corruption Bay and a tale of Cymrophobia‘: ‘The first tweet was on July 6, 2020, followed by a flurry of tweets that ended on August 11. There was nothing then until a retweet on Oct 20. A further retweet in November, another in December. Then nothing until April 18 and 19. A final retweet on May 14, attacking Israel, and nothing since.’

What’s remarkable about this Twitter account is that there is no mention of the tender to the Arts Council, or of the tender being accepted, or of the WAARU getting paid for the report, and then the report being published.

Yet this is the sole achievement of the WAARU. It’s almost certainly why the WAARU was set up. So why are those involved so reticent to claim the accolade?

This is a question that will probably remain unanswered. Though one possibility is that tweets were deleted before I saw the Twitter account. I suggest that because the response to its publication guaranteed the report would be an orphan.

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And yet, the answers to who is involved in the WAARU can be found in the documents I’ve used or referred to in the previous two posts.

Let’s start with something that appeared in an update to the previous post. Put up after a source suggested that when dealing with anonymous Twitter accounts it can often be rewarding to check on the first followers.

Here they are. Reading from the bottom up, we see that the first follower was @radha_sophia. Then comes @Durre_Shahwar, then @tayloredmonds, and so on.

A number of the other early followers have appeared in the previous blogs. Who could forget that master of the iambic hexameter Beau W Beakhouse? And then there’s BLM supporter Letty Clarke of Artes Mundi.

Note also that one follower is @WICFCardiff, which is a group called Where I’m Coming From. Of the first five followers, one is the group itself, and three of the others appear to be members.

WAARU Twitter follower number one, @radha_sophia, does not list Where I’m Coming From in her bio, but she is certainly linked. As this testifies. Note also the reference to ‘Sadia Hameed’. This being Sadia Pineda Hameed, the partner of Beau W Beakhouse.

Here’s @radha_sophia retweeting the WAARU launch tweet almost immediately it was issued. Do you find her message mildly threatening?

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You’ll see in the link to the WICF piece that @radha_sophia is named as Radha Patel. Which is her real name. Or, in full, Radha Mukesh Patel.

The Arts Council / Amgueddfa Cymru advertisement for tenders went out June 29, 2020 on the Sell2Wales site. In an update, on September 29, 2020 – giving the names of the successful applicants – we find an address for the Welsh Arts Anti-Racist Union.

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That address is in Pyle, just outside Bridgend.

The Land Registry website gave me ownership details for the property, and I recognised the family name. Next, it was over to 192.com to check on who actually lives there. And guess what – living at that address is Radha Mukesh Patel.

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So Patel’s family home in Pyle was given to the Arts Council as the address of the Welsh Arts Anti-Racist Union.

But how much of a hand did Patel herself have in the writing of the report for which the Arts Council and Amgueddfa Cymru were happy to part with a few thousand pounds of our money?

Maybe not a lot. She’s more likely to be one of a number of contributors.

Either way, here’s another tweet from Radha Patel, from August 2020, when she was presumably in Scotland. She doesn’t want to eat in a white-owned establishment.

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Moving on . . .

If we’re looking for a group that might have co-ordinated this exercise, then the previously mentioned Where I’m Coming From fits the bill very well.

As we’ve seen, its founder-members are among the earliest followers of WAARU and it connects with other significant actors in this scam. For I have no hesitation in using that word.

Beakhouse and Hameed of Lumin may be in the mix, but I think it would be more rewarding to focus on the Arts Council – specifically, Artes Mundi – and the Future Generations Commissioner’s office.

For if we look at the Artes Mundi Twitter account we see that it is currently co-operating with Where I’m Coming From. And if you click on the short video, there, at 0:41, we see Letty Clarke herself.

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While in the latest tweet on her personal Twitter account Letty Clarke promotes Hanan Issa, who comes in at number 5 in the WAARU Twitter followers.

Letty Clarke is a busy woman, and she’s named in its metadata as the author of the ‘Wales, Culture & Race Taskforce‘ (WCRT) document of June 2020. Prepared for the Senedd by yet another group of disgruntled BAME arts sector operators.

What happened to the WCRT, and the cash it was promised, is still debated.

I believe Letty Clarke had a hand in producing the WAARU report. But the involvement of Artes Mundi may not be limited to her.

For also listed among the first followers of the Welsh Arts Anti-Racist Union we find another Artes Mundi Curator, Melissa Hinkin.

Responsibility for the report may extend further.

The ‘widening engagement’ exercise undertaken by the Arts Council was probably initiated by this report, ‘Well-being of Future Generations Increasing Participation in Areas with Under-developed Reach of the Arts – Arts Council of Wales’.

Sure enough, at number 3 among the first ten WAARU followers we find Taylor Edmonds, the Poet in Residence at the Future Generations Commissioner’s office. She is also a ‘team member of @WICFCardiff’.

What the hell does a Poet in Residence do, anyway? Wander around the office sighing, looking for a chaise longue on which to drape oneself in the hope of attracting the muse?

But what if the muse appears at 4:55 and everybody’s off down the pub at 5 for Sharon from Accounts’ birthday piss-up?

‘Oh, Muse, it’s a bit awkward now . . . can you come back tomorrow?’

The impetus for the WAARU and the Mary Celeste-like Wales, Culture and Race Taskforce was the killing of George Floyd 5,000 miles away.

An event irrelevant to Wales encouraged some in the Cardiff arts scene to make unfounded allegations of racism and demand money for perceived injustices. Encouraged by a ‘progressive’ Cardiff Bay establishment ready to roll over and take the blame for slavery, colonialism, and a raft of other crimes of which we Welsh are innocent.

I’ve drawn up a timeline that might help. (The links all work.)

I am now 85% certain that the Welsh Arts Anti-Racist Union report was compiled by persons named above. Employees of publicly-funded bodies and others involved in the arts sector in Wales.

This sordid episode raises a number of questions.

UPDATE 08.09.2021: The update is just too big to put up on the blog, so it’s available here in PDF format.

WE NEED ANSWERS

A well-connected source tells me that in his experience no public body gives a contract such as we’ve discussed to a group with no record, no references, no money, no nothing.

Especially when there were 34 applications to choose from.

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Another source thinks that if this had taken place in the world of finance it would be called insider dealing. Which is why I earlier referred to what we’re discussing as a scam.

Now for the questions:

  1. Whose decision was it to advertise for organisations to tender for the ‘widening engagement’ research?
  2. Can we see a copy of the tender brief?
  3. Who sat on the scoring panel to select the successful tenders?
  4. Can we see a breakdown of the scores awarded to each tender?
  5. Who at the Arts Council of Wales signed off the award of the contracts?
  6. Why did no one at the Arts Council appreciate the contradiction in a report repeatedly calling for ‘transparency’ itself being anonymous?
  7. Into whose bank account was payment for the WAARU report paid?
  8. Have the Welsh Arts Council and Amgueddfa Cymru already met or do they intend meeting any of the ‘Demands’ in the WAARU report?
  9. How far up the Arts Council totem pole does knowledge of and participation in the WAARU deception extend?
  10. Will those responsible for this deception now be dismissed?
  11. What safeguards will ‘Welsh Government’ put in place to ensure that no more public funding is siphoned to cronies in this way? (Or is that the wrong question to ask of a political party and an administration built on cronyism?)
  12. Will the Wales Audit Office investigate the procedures by which public funding was used to produce what is little more than a racist ransom note?

CONCLUSION

When people on the Far Left work themselves into a frenzy of Woke self-righteousness, to the point where they claim to see ‘fascism’ and ‘racists’ everywhere, then campaigns against racism often end up being racist themselves.

Even more so when they contain unsubtle references to what those behind the report clearly regard as an over-emphasis on Welsh cultural identity.

What makes this case even worse is that there appears to have been collusion from within Welsh public bodies and national institutions. Public bodies and institutions funded by the Welsh public purse.

Wales is a tolerant and welcoming country. When those who claim otherwise use imported terms like ‘systemic racism’, resort to silly words like ‘microaggressions’, and flirt with anti-Semitism and Cymrophobia then they invalidate whatever cause they think they serve.

What I also found revealing about this report was that it contained a litany of vague complaints but a complete absence of specific examples; with not a single case that could be investigated. Let alone substantiated.

Innuendo and hyperbole, sloganising and insults, are no substitute for hard facts.

To the members of the Welsh Arts Anti-Racist Union, and others like them, I say: Instead of standing outside shouting and chucking stones, why not come in; join us, integrate?

We really aren’t that bad.

♦ end ♦

 




Arts Council of Wales and Welsh Arts Anti-Racist Union, an update

I’M IN SEMI-RETIREMENT AND THIS BLOG IS WINDING DOWN. I INTEND CALLING IT A DAY IN THE NEXT FEW MONTHS. POSTINGS WILL PROBABLY BE LESS FREQUENT AND I WILL NOT UNDERTAKE ANY MAJOR NEW INVESTIGATIONS. DIOLCH YN FAWR.

This is a follow-up to last week’s post, ‘Corruption Bay and a tale of Cymrophobia‘. You’ll remember that we looked at how Labour Party insiders were paid to produce reports that would guide more ‘inclusive’ policy at the commissioning bodies, the Arts Council of Wales and the National Museum.

UPDATE

One of these submissions, from the mysterious Welsh Arts Anti-Racist Union, painted a picture of Wales as some kind of Hell on Earth where ‘creatives’ of a non-Caucasian pigmentation are brutally discriminated against.

It was reminiscent of the hysteria I’ve been writing about in connection with YesCymru. Where some of those involved in the failed Woke-Left takeover wanted us to believe that ‘women with penises’ are being butchered on Welsh streets by mobs of transphobes.

What I found revealing was that neither those suggesting rampant transphobia or a whites-only arts scene are prepared to debate. Any dialogue must start from a blind acceptance of their ‘facts’.

A few tit-bits have come to light since the previous post went out. For example, someone drew my attention to the metadata naming authors for the three reports.

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The report from Labour insiders Lu Thomas and Jon Luxton named Luxton as the author. But the other two reports listed Arts Council employees as authors. Which might at first sight seem a bit odd, though there could be a simple explanation.

Such as the reports being submitted in MS Word or some other format and the Arts Council converting them to PDF.

If that is not the explanation, then what is?

Despite the ‘authorship’, there is no real issue with the Richie Turner Associates’ report because the contributors are named in the report.

It’s the third report, from the Welsh Arts Anti-Racist Union, that’s causing concern. Because no individual or contributor is named anywhere.

Anyway, in the hope of helping me make sense of the bigger picture, a few people made suggestions. Pointed me in certain directions. So off I went.

NATURE OF THE BEAST

It’s fair to say that Amgueddfa Cymru was almost a ‘passenger’ in this exercise, so I’m ruling them out to focus on The Arts Council of Wales.

The current Chair is Phil George, who I speculated was a Labour Party supporter. His immediate predecessor in the post, from 2007 – 2016, was David Burton Smith, whose political leanings have never been in doubt.

For Dai Smith – father of unsuccessful challenger to Jeremy Corbyn, Owen Smith – is another creature of the left. One of those historians who, like Neil Kinnock, believes Wales isn’t worthy of study until the Industrial Revolution and the creation of a proletariat.

Smith worked for the BBC in Cardiff, from 1994, as, ‘Head of Broadcast (English Language). He was responsible for commissioning programmes on the arts and in drama and has also presented award-winning documentaries on the people and culture of south Wales’.

Through a socialist prism, of course.

An interesting insight into colonial Wales, this. For while the Labour Party rails against Tory cronyism, Old Boy networks and the rest, the Buttybond practises something very similar in Wales.

And the Tories are more than happy to let them do it. I’ll explain why a bit later.

Phil George has a long history with The National Theatre of Wales (NTW). In fact, he was one of the founding directors on September 9, 2008. He seems to have left NTW in March 2016, around the time he was appointed Chair of the Arts Council.

I’m told the National Theatre of Wales was always well favoured in Cardiff. One source reports: ‘”BBC Wales” used and uses every opportunity to promote this company. Hardly any arts documentaries are done but in its formative years, 2010, it commissioned a 30 minute advertorial dressed up as a documentary on a National Theatre production’.

It was thanks to Phil George and NTW that Abdul Shayek of London got his foot in the Welsh public funding door.  For Shayek’s Linkedin page tells us that from April 2011 until April 2013 he was a Creative Associate with NTW.

Shayek then branched out to form FIO, a BAME theatre group. Though apparently reliant on funding from the Welsh public purse this didn’t stop FIO taking plays to India. And Shayek ‘representing’ FIO at symposia and the like in Sri Lanka and Australia.

Nice work if you can get it! And especially if someone else is paying.

Another source tells me FIO got some £400,000 in funding over 3 or 4 three years. (It might have been more.) Which pays for quite a few trips to Oz and old Serendip.

Going back to Shayek’s Linkedin bio we see that he left FIO in August 2020 to join Tara Theatre. No, this has nothing to do with halls and High Kings, it’s yet another ‘ethnically diverse’ theatre group. This time in London.

I’m not sure of the reasons for Shayek’s departure, or where this leaves his creation, FIO. The website suggests it’s still going, and the Charity Commission entry implies he’s still involved.

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Whatever the relationship between Abdul Shayek and FIO he still appears to be involved with the arts scene in Wales. And pissing off quite a few people with his involvement in the Wales Culture and Race Taskforce (WCRT).

Which was set up in June 2020 to, ‘challenge the lack of diversity within the arts in Wales and demand systemic change’.

I’m not sure if this was Abdul Shayek’s brainchild or if he just got involved somehow. Certainly, his creation FIO was holding the money donated to WCRT by other arts groups. Said to be £20,000.

You’ll get a flavour of the dispute from the Critically Speaking blog of Jafar Iqbal. (A supporter of Leyton Orient football club.) In particular, read the lengthy comment from ‘pledging organisations’.

If you want to know more about the role envisaged for the Wales Culture and Race Taskforce then you should read this document prepared for the ‘Welsh Government’.

Strangely, in just 452 words this document manages to use the term ‘white-led’ three times. In the Welsh Arts Anti-Racist Union ‘report’ we encounter the phrase ‘white-led’ 10 times.

When checking the metadata for the document I’ve just linked to, I found the author named as Letty Clarke. So obviously, I wondered who she might be.

You will not be surprised to learn that Letty is also from England, but since January 2020 she has been Curator of Public Programmes at Artes Mundi Prize Ltd. From the Artes Mundi website we learn:

‘Artes Mundi Prize Ltd is a registered non-profit charity that annually relies on support from individuals, corporations, sponsors, trusts and foundations to fund the costs of all our programmes, alongside our core public revenue from Arts Council of Wales and Cardiff City Council’.

The name may sound like a character from a forgotten novel set in 19th century New England, but Letty is of the here and now. And, unfortunately, the ‘here’ is Wales.

Letty Clarke’s Linkedin profile makes it clear that she supports Black Lives Matter, and her Twitter account provides a few gems.

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As many of you will know, investigations are continuing into the death of Mohamud Mohammed Hassan, who died some hours after leaving police custody. But Letty Clarke, after being in Wales for a short time, has already made her mind up.

For according to her Hassan was a victim of ‘police brutality’ and ‘state violence in Wales’. What the hell does she mean by ‘state violence’? There is no Welsh state!

Let me explain the relationship to you, Letty . . . Your country robs my country and by way of compensation doles out money to those buffoons down Corruption Bay, who in turn distribute far too much of that cash to people like you and your friends.

Which means that, one way and another, most Welsh people get screwed twice over.

Up to now in this painful trawl through the ‘Welsh’ arts scene I don’t think we’ve met anyone who is actually Welsh, apart from a few cocks atop the dung heap.

Let’s see if we have any more luck in the next section.

THE SEARCH CONTINUES FOR THE WELSH ARTS ANTI-RACIST UNION

In December 2019 the Wales Audit Office produced a snappily-entitled report, ‘Well-being of Future Generations Increasing Participation in Areas with Under-developed Reach of the Arts – Arts Council of Wales’. You can read it here.

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The Introduction says: ‘This document has been prepared for the internal use of the Arts Council of Wales’. Reminding us that this is an example of the additional public money wasted since the implementation of the Well-being of Future Generations (Wales) Act 2015, and the creation of the post of Future Generations Commissioner, with of course, a whole new department.

The job of Commissioner was given to Labour time-server Sophie Howe. She had previously worked under Alun Michael, the former Labour MP and now Police and Crime Commissioner for South Wales.

Under ‘Contents’ we read: ‘In its efforts to increase participation, inclusion and engagement in areas with under-developed reach of the arts, the Arts Council of Wales (Arts Council) is demonstrating commitment to the sustainable development principle but it recognises the need to further embed the five ways of working.’

Clearly, the Audit Office looked into inclusion in the arts, and made recommendations to the Arts Council. So why, just six months later, did the ACW spaff another £50,000 (minimum) doing what looks like exactly the same thing?

(Note that the Sell2Wales notice I link to is from June 2020. Which is when the Wales Culture and Race Taskforce was set up.)

This duplication produced the three reports dealt with in the previous post, including the submission from the mysterious Welsh Arts Anti-Racist Union.

This digression takes us nowhere nearer identifying the person or persons behind the Welsh Arts Anti-Racist Union. In fact, it’s difficult to get any handle on the WAARU.

One mention I did find was on what I assume to be a podcast. It seems to be called Mostyn, or Lumin, the latter described as, ‘an artist-run radio and publisher led by Sadia Pineda Hameed and Beau W Beakhouse’.

If you scroll down to the bios of others involved, you’ll see this for the Welsh Arts Anti-Racist Union. But again, no name.

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I’d like to be able to tell you that Hameed is from Froncysyllte and Beakhouse from Llangyfelach, but alas . . .

Beau tells us: ‘I’m originally from Bournemouth but moved around . . . I come from a nature & craft background . . .  My parents were self-employed gardeners, who then went into woodcraft . . . Eventually, I managed to study English Literature at Cardiff University’.

Hameed: ‘I’m from London. I also came to Cardiff to study English Literature at uni and decided to stay ‒ in part because I didn’t really have the money to pursue the arts back in London, but also because I really liked how open the arts scene in Wales is.’

Yes indeedy; the ‘arts scene’ in Wales is open to just about anybody . . . artistic talent is unnecessary, and knowledge of Wales undesirable.

Here’s an example of Beakhouse’s poetry from 2017.

Don’t give up the day job, Beau. Whatever it is.

That we are no nearer fingering who wrote the Welsh Arts Anti-Racist Union report is understandable, given its reception. But the Arts Council of Wales must know because the WAARU was paid well to insult us.

Which is why I have submitted a Freedom of Information request to the ACW.

But over and above that, this situation of strangers being paid to insult us could only happen in the peculiar circumstances of devolution, which sees politicians and others who superficially oppose each other agree when it comes to Wales, and the Welsh.

UPDATE: Since publishing this piece I have received feedback, including someone drawing my attention to The Future Generations Report 2020. On page 355 we read what you see in the panel:

I have two points to make.

First, ‘learning Welsh on the job’ sounds like a good idea, until you realise it’s often a ruse to give jobs to people most of whom will do no more than go through the motions of taking a few Welsh lessons.

Mark James, former chief executive of Carmarthenshire County Council, would be a great example of this scam in practise.

Second, The Future Generations Commissioner in her 2020 report is quoting Race Alliance Wales (RAW), a body formally launched on December 19, 2019. How the hell did a newly-constituted body become so influential so quickly?

The answer is that those behind RAW are based almost exclusively in Cardiff and well connected in Corruption Bay.

While organisations elsewhere in Wales, established for far longer, representing many more people, but outside the Bay Bubble, are ignored.

This is not healthy; this is not democratic; this should not be the Wales any of us wants to see.

But it’s the Wales we live in.

FURTHER UPDATE: Someone else has been in touch with an intriguing suggestion. Which is, that when an anonymous Twitter account is launched the author is often to be found among the early followers.

In the case of the Welsh Arts Anti-Racist Union Twitter account the first ten followers can be found here. (Read from the bottom up.) There are quite a few names there that appear in this article.

THE BIT AT THE END WHERE COLOMBO PUFFS ON HIS CIGAR AND . . .

Picking up again on the shared motivations, what I’m hinting at is that these otherwise squabbling interests agree that Wales must be carefully ‘managed’.

Which is why what passes for entertainment on television and elsewhere is banal and superficial. Welsh politics, social issues, and other specifically Welsh matters (when dealt with in English) are often quarantined in programmes broadcast at awkward times . . . which results in hardly anyone watching them.

The same applies more widely, in the fields so copiously manured by the Arts Council. For example, there’s not a hope in Hell of Wales having its own Abbey Theatre.

We are at a stage now where if two plays are in competition for funding, one about Welsh villages being destroyed by excessive tourism, the other about the absence of obstetric facilities for low caste birthing persons in Tamil Nadu, then you can predict with certainty which will enjoy an opening night.

Researching this piece I stumbled on an hour-long lecture by former Arts Council Chair Dai Smith, built around writer Raymond Williams. Smith is speaking at a ‘Cultural Democracy Workshop’ in November 2020.

This was of course delivered at a time when the three reports commissioned by the Arts Council were being prepared. Yes, it was all happening around that time.

Smith makes the point that in the 1950s, ’60s and ’70s, when Williams was at the height of his intellectual and creative powers, his writing was framed by what he saw as a class struggle. But things have moved on.

(Interestingly, a piece on Williams appeared in UnHerd yesterday.)

Most importantly, the political left in Europe and North America has lost the working class. Which is why Marxism is now promoted through race, environmentalism and gender. And the harder the left pushes these the more it alienates the working class.

No one living just thirty years ago could have envisioned the crazy situation we have reached today. And few political activists of the left under the age of 40 can believe that their ideological predecessors idolised those they regard as stupid, racist, transphobic, climate denying Brexiteers.

The sons and grandsons of Marxist miners are fascist white van men!

A hazy understanding of Marxism re-interpreted by Black Lives Matter almost certainly lies behind the report submitted by the Welsh Arts Anti-Racist Union. It also explains the report’s acceptance by the Arts Council.

But why would the Old Etonians in Westminster and their civil servant alumni of lesser schools want to push such drivel? The answer is that they share with the Woke-Left establishment in Corruption Bay a desired outcome.

This explains the funding and other encouragement for people from around the world to come here, take funding that should go to Welsh arts, and then call us racist.

London likes the ‘The Welsh are racist’ message because it explains why we oppose holiday homes, and resent being colonised. (It’s why the Telegraph used the WAARU report.) Corruption Bay modifies it to read, ‘Nationalism is racist’ because that can slander those suggesting there is a better way for Cymru than devolution’s cronyism and exploitation. 

Together they tell us why the ‘Welsh’ arts scene today is a revolting mess of talentless dreamers and grant-grabbing shysters. Overwhelmingly alien; with some of those involved positively racist in their attitudes towards us.

Modern Wales in microcosm.

♦ end ♦

 




Corruption Bay and a tale of Cymrophobia

I’M IN SEMI-RETIREMENT AND THIS BLOG IS WINDING DOWN. I INTEND CALLING IT A DAY IN THE NEXT FEW MONTHS. POSTINGS WILL PROBABLY BE LESS FREQUENT AND I WILL NOT UNDERTAKE ANY MAJOR NEW INVESTIGATIONS. DIOLCH YN FAWR.

This post is about the findings from surveys commissioned by the Arts Council of Wales and Amgueddfa Cymru. The project was entitled, ‘Widening Engagement’.

These reports, or certainly one of them, prompted old Shippo at Llais y Sais to give it something close to the, ‘We Are At War With Germany’ treatment. (Available here in pdf format.)

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Front page lead continued on inside page, completed with a full page of grovelling from the white supremacist running-dogs of the patriarchal imperialist-colonialist system.

The story travelled. Not only did the Daily Telegraph pick it up, but also, from that source, Andy Ngo, in Portland, Oregon, scourge of Antifa.

Even RT.

This passage from the Arts Council website explains the exercise . . .

“At the end of June 2020 Arts Council of Wales and Amgueddfa Cymru – National Museum Wales advertised a tender to undertake a series of in-depth research conversations. Our aim was to widen engagement with communities we consistently fail to engage in our work. We received 34 submissions and after a detailed selection process and interviews we decided to appoint three organizations to undertake three very different studies.”

The reports from the three successful tenders have been submitted and are now available online. They are from: Re:cognition, Richie Turner Associates, and the Welsh Arts Anti-Racist Union.

So let’s look at them in that order.

RE:COGNITION

The first problem I have with these people is the name. Let me explain.

There is a company Re:Cognition, with qualified medical people involved in specialist mental health services. And an annual turnover in excess of £10m. But this was not the company employed by Arts Council of Wales and Amgueddfa Cymru.

For as the report tells us, on the very first page, its authors are Jon Luxton and Lu Thomas, two Labour Party stalwarts from Penarth. (Where Luxton was once mayor.) And wouldn’t you know it – Lu Thomas has appeared on this blog! In Plaid Cymru’s enemy within (scroll down a bit).

Lu Thomas is big in Pride Cymru, and something of a trans fanatic, believing that ‘women with penises’ are being persecuted. Everywhere. By everybody.

Here’s her Linkedin profile. Where you’ll see that she claims to be a director of a company called Cognition.

Cognition Training Ltd, directors Thomas and Luxton, was put out of its misery in December 2018. But even when trading it never provided the income that bought Thomas and her wife their £500,000+ house on Windsor Esplanade.

Image: Mark Lewis. This appeared in a WalesOnline report in July 2018. Click to open in separate tab.

The ‘Cognition’ name was also used by Luxton and Thomas in Cognition Associates. Which produced a website where the latest ‘News’ is from July 2013. Cognition Associates was never registered with Companies House.

And now there’s Re:cognition Wales. Or rather, there’s a website. Note that Thomas and Luxton use a lower case ‘c’, whereas the ‘real’ company spells it ‘Re:Cognition’. But again, this Luxton-Thomas company is not registered with Companies House.

One Lu Thomas company that was registered with Companies House was Pitch Consult Ltd. Incorporated July 15, 2019. Struck off January 5, 2021. No accounts were ever filed.

What I found interesting about Pitch was that the other two directors were Mitchell Theaker and Pearleen Sangha, who you may remember from their appearances on this blog. They were Labour councillors in Swansea; part of the student intake needed to keep up the bruvverly numbers.

Jon Luxton has also been rubbing shoulders with celebrities lately. For listed among the directors in Sound Progression Ltd, along with Luxton, we find Cian Ciaran, of Super Furry Animals, and late of YesCymru. This company was Incorporated June 10, 2019.

Given Luxton’s record its time can not be long.

A glimpse of what Thomas and Luxton do is given in this snippet from the NHS. They work for the Labour Party, in its various forms: ‘Welsh Government’, Cardiff Council, etc.

They also work for bodies reliant on ‘Welsh Government’ funding. Reminiscent of the jobs found for the nephews of made men.

To understand how it operates imagine a phone call from Corruption Bay or City Hall: ‘Oh, hello, Lu, love, how’s it going . . . listen, we want you to do one of your surveys, yeah, here are the findings we want from you’.

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And this is why no ‘survey’ conducted by Thomas and Luxton should be given any credence. They are just Labour Party apparatchiks.

The worry should be that these beneficiaries of Labour cronyism get so much work. Work paid for by the public purse. It’s naked corruption.

But it also explains why they were one of the 3 out of 34 applicants chosen by the Arts Council and the Museum to do the ‘research’.

Page 10 of the Thomas and Luxton report tells us (rather clumsily): ‘To note: only one respondent namechecked the Eisteddfod indicating poor reach into this community of mainly English speakers. this lack of Welsh Language art and culture was also demonstrated in the responses to all other relevant questions.’ 

I wonder if this ‘finding’ will be used in future by the ‘Welsh Government’ to deny or reduce funding to Welsh language organisations, events, and projects, or in other ways be used to undermine the language?

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The quote above, from page 12 of the report, about sums up what Thomas and Luxton have to say – ‘Do what our friends in the Welsh Government tell you’.

RICHIE TURNER ASSOCIATES

Whoever these are, they compiled, ‘A research report looking at the reasons why D/deaf, disabled, learning disabled and neurodiverse people do not attend arts events or visit National Museums’ Wales or attend very infrequently’.

While that may have been the ostensible reason for recruiting Richie Turner, his Linkedin profile makes his political leanings very clear. I don’t think I’ve ever seen such a colourful Linkedin header.

Or one less relevant to Wales.

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Richie Turner is of course another Corruption Bay insider. His jobs and appointments listed on Linkedin suggest someone with strong Labour Party connections. For no one in Wales without Labour Party connections could dream of a CV like that.

So what does the Richie Turner Associates report have to say? Though before you read it, I should say that Richie Turner Associates is not a company or a partnership, just an ad hoc group of his friends and, well, associates.

Richie lives in Hay-on-Wye, which is handy for the books, and the festival.

Those who helped him compile his report, also live in the south east. In fact they all seem to live in Cardiff and Gwent. One of them, Lyndy Cooke, is a former director of the Hay Festival. Nice.

Though the report tells us (page 4): ‘Our research engaged with people across all regions of Wales.’

Possibly. But how well do Richie Turner and his gang know these far-flung ‘regions’?

It might also be asked how well Turner knows his associates. For the woman named throughout the report as ‘Mary Allen’ is surely Mary Allan.

There’s little to take issue with in the Richie Turner Associates report. It’s just a litany of complaints followed by a few recommendations. And concluding with some comic book-style illustrations!

Flicking through it a few things caught my jaundiced eye.

This, for example (page 27): “Arty farty type messaging on advertising, such as Gothic and trendy typefaces also make it hard to read from a few feet away in a wheelchair”.

Who could argue with that?

Whereas I found this a little confusing (page 30): “Some places like museums are too big, with too many people. I need less people to be able to go”.

We obviously can’t have empty museums. Museums that attract no visitors will be closed.

All in all, this contribution from Richie Turner Associates may be regarded as the bland filling between two very unappetising slices of bread.

THE WELSH ARTS ANTI-RACIST UNION (WAARU)

It’s difficult to know what to make of this one. For a start – what or who is the Welsh Arts Anti-Racist Union?

I found a Twitter account. I think we can assume that it was started in the period of hysteria following the killing of George Floyd, some 5,000 miles away.

In fact, the WAARU Twitter account started up a week or so after the Arts Council and Amgueddfa Cymru decided to launch their ‘research conversations’ at the end of June 2020. What an amazing coincidence!

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The first tweet was on July 6, 2020, followed by a flurry of tweets that ended on August 11. There was nothing then until a retweet on Oct 20. A further retweet in November, another in December. Then nothing until April 18 and 19. A final retweet on May 14, attacking Israel, and nothing since.

Why hasn’t the Twitter account rejoiced in WAARU’s participation in this exercise? I find this very odd.

We can reasonably assume that the WAARU leans politically to the left, maybe quite far to the left.

There is no website for the Welsh Arts Anti-Racist Union. Just a Gmail address on the Twitter account. So I wrote on Friday morning. I’m still waiting for a reply.

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Anyway, here is the report produced by Welsh Arts Anti-Racist Union. However you look at it, it is a remarkable document.

It suggests that the Welsh language is racist and the Arts Council and Amgueddfa Cymru are both run by white supremacists.

There are ten references in the report to these organisations being ‘white-led’. But in a country that is 95% or more white does the writer expect them to be non-white-led? That would make them grotesquely unrepresentative.

There are also references to Black Lives Matter, reminding us that the report is very much of the post-Floyd era. Summed up perhaps with this paragraph from page 24: ‘One participant asked how Amgueddfa Cymru could see itself as combating poverty, when it’s very purpose involved displaying objects from countries whose wealth had been plundered through colonialism.’ 

No, that is not its ‘very purpose’. What a stupid and insulting thing to say! If Amgueddfa Cymru has a ‘very purpose’ then it’s to celebrate the history of Wales.

But that is not atypical. For a number of times this report comes across as either ignorant of recent Welsh history, or misinformed, or just mischievous. Here’s another example, from page 18.

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There is no ‘Welsh Census’, it’s organised by the Office for National Statistics in London. Not so long ago you couldn’t even describe yourself as Welsh on the census form. That’s why I was one of those protesting before the 2001 census.

But the writer of the WAARU report presents the census as more evidence of structural racism within Wales!

Having mentioned the writer, I ask again – who is it? Because there is no name mentioned anywhere in the report. It is anonymous. So why was it accepted? Or to go back to the beginning, why was the WAARU commissioned to write a report?

Are we to believe that out of the 31 rejected applicants there wasn’t one better qualified!

On page 36 we read this passage: ‘Marginalised artists and art workers should receive support to learn different languages, in addition to Welsh. This additional support is necessary because Welsh language policies in current applications can exclude Black and non-Black people of colour’.

What ‘different languages’ are needed in Wales?

The writer is clearly ignorant of the fact that many ‘Black and non-Black people of colour’ were brought up speaking Welsh, or else have learnt to speak Welsh.

And while there’s solidarity implied with the term ‘Black and non-Black people of colour’ this solidarity is not consistent. Because the Twitter account suggests that non-Black People of Colour might be little better than Uncle Toms.

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Finally, most reports end with findings and recommendations. The report from the Welsh Arts Anti-Racist Union ends with ‘Our List of Demands’. It sounds almost threatening. Like a kidnappers’ note.

Whoever wrote this report may have legitimate grievances, but they’ve gone about airing those grievances in entirely the wrong way.

The national institutions of Wales exist to reflect and to serve the culture, history, identity, and people of Wales. The Welsh language is central to Welsh identity, and for many centuries served as the identifier of Welshness.

Maybe the so-called ‘Welsh Government’ can also remember that.

UPDATE 24.08.2021: Checking the metadata of the three published reports gives Jon Luxton as the author of the Re:cognition report, which is what I would expect. Him or Lu Thomas.

But listed as author for the other two reports are Arts Council of Wales employees.

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There are a number of possible explanations for this. Maybe the original documents were converted from MS Word to PDF format at the Arts Council. If so, why? Those chosen to produce these reports were well paid to do so. Was this work at the Arts council deducted from their fees?

Or is there another explanation?

CONCLUSION

The first report we looked at was produced by Labour Party insiders who carry out research for their comrades. The ‘findings’ are often used to justify legislation and other measures that the ‘Welsh Government’ has already decided on.

I wonder if the ‘Welsh Government’ would pay me to do a survey into the third sector, or housing associations, or tourism . . . or even the ‘Welsh Government’?

The second report told us nothing really except that the Arts Council and Amgueddfa Cymru are doing a bad job when it comes to catering for those with disabilities.

Though much of the feedback was about venues, over which the Arts Council may have little or no control. And as for ’empty museums’ . . .

But that will be overlooked because the report gives the ‘Welsh Government’ another stick with which to beat both organisations.

The third report is just a chip-on-the-shoulder, ‘where’s our grants?’ diatribe. To give it credit for being anything more would be to legitimise the anti-Welsh prejudice running through the report.

Whoever commissioned this report must have known in advance the kind of submission they could expect from the Welsh Arts Anti-Racist Union. Which means that the WAARU was paid to produce exactly that kind of report.

Let’s remind ourselves who heads the two organisations involved.

Phillip George of the Arts Council was previously,‘ Creative Director of the award-winning production company Green Bay Media which specialised in high-end documentary projects for broadcasters in Wales’.

He left Green Bay on March 31, 2016, when he was appointed to the Arts Council. At that time, Green Bay had 14 outstanding charges (loans, etc) with S4C and Finance Wales.

Phillip George re-joined Green Bay on June 30, 2017, as secretary, though I suppose he could have been acting as a director.

The next development came on July 24, 2018, when all 14 outstanding charges were cleared. The company’s registered address was changed on the same day.

On January 14, 2019, a Declaration of Solvency was made and a liquidator appointed. Green Bay was finally struck off May 19, 2020. With George still listed as secretary.

Were those debts really cleared, or were they written off, or was some other arrangement agreed? And why was Phillip George allowed to re-join Green Bay while serving as Chair of the Arts Council?

I don’t know Phillip George’s politics, but here he is with former Labour MP Kim Howells. Does he share Howells’ attitudes to the Welsh language, devolution / independence?

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Prior to taking up the post Amgueddfa Cymru chief Roger Lewis was CEO at that most BritNat and Unionist of organisations, the Welsh Rugby Union.

It’s the third report, from the Welsh Arts Anti-Racist Union that’s getting the media attention, and quite rightly so, so let’s give it a few final thoughts.

Although the report ostensibly deals with the Arts Council and Amgueddfa Cymru, by questioning the role of the Welsh language and perceptions of Welsh identity its impact goes well beyond those two institutions.

Doing it from an ethnic minority perspective is clever, because attacking Welsh identity from a BritNat position invariably generates resistance. It’s much smarter to use the race angle, and maybe get some liberals and socialists onside.

Which makes it difficult to pin down the origin of this survey. Because if someone is trying to introduce Critical Race Theory into Welsh public life, for the disruptive effect it guarantees, then that source could be Marxist left or Unionist right.

Whatever the source, if enough people can be persuaded that defending Welshness is ‘racist’, then this will impact negatively on the growing interest in Welsh independence. The ‘racist’ slander can even be used against those demanding action on holiday homes.

Where does it end?

Maybe campaigning against Tryweryn was ‘racist’. And perhaps it’s ‘racism’ that sustains our national sporting teams. Why not just merge with England and join in singing GSTQ at Wembley and Twickers?

No one should be publicly funded to question a nation’s existence. Both bodies must explain why they chose the Welsh Arts Anti-Racist Union.

We, who’ve paid for it, are entitled to know who wrote the WAARU report.

Finally, perhaps the real lesson from this fiasco is that Wales must have independence. Not just from England, but also from Cardiff Bay.

♦ end ♦

 




YesCymru: Resignations and more

I’M IN SEMI-RETIREMENT AND THIS BLOG IS WINDING DOWN. I INTEND CALLING IT A DAY IN THE NEXT FEW MONTHS. POSTINGS WILL PROBABLY BE LESS FREQUENT AND I WILL NOT UNDERTAKE ANY MAJOR NEW INVESTIGATIONS. DIOLCH YN FAWR.

Here we are again! But with good news to impart. Though we mustn’t get carried away, for the enemy has retreated into the bush to reflect on his next move. Indeed, I hear that in remote valleys, far, far away, the wily Wokie is regrouping and planning a fresh offensive.

And you thought they couldn’t get any more offensive!

Have I got news for you!

OUT WITH THE OLD

Every man and his dog knows by now that YesCymru’s Central Committee – or what remained of it – resigned last Friday. Here’s the statement they put out. Gettysburg Address, it ain’t, but I’ll take it.

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Despite what this destined-for-the-archives document says, speculation abounds as to what really precipitated the decision at that time.

You may recall that in my previous post I quoted a source who’d told me: “The CC meeting to suspend Ben (Gwalchmai) was supposed to have been last Wednesday (Aug 4), then delayed until Thursday, then delayed to today (Monday), and now tomorrow.”

Could it have been that young Benji’s suspension couldn’t be put off any longer, and then, because suspending him would leave the Central Committee inquorate, they decided to go together? Perhaps holding hands and singing Abide With Me, as they jumped overboard into the icy waters of the North Atlantic?

Gwalchmai certainly had one hell of a Twitter rant on Saturday night. He lashed out in all directions. Members of the middle class seemed to particularly irk him. Whether this was an attempt to burnish his working class credentials or an attack on those he felt had betrayed him was difficult to say.

Possibly a bit of both.

Because in that rant Gwalchmai stated that he had not wanted to resign. Suggesting perhaps that he had been outvoted by the other three. (Bourgeois bastards!)

And he hadn’t calmed down by Monday, to judge by this tweet. Though this time the target was, ‘The Groups’.

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But the groups, and the members they represent, are YesCymru. How could they mount a coup against themselves? What the groups have executed is a counter-coup. They’ve been fighting to reverse a sly takeover by extremists.

Far left extremists who’d ensured that some people – Secretary Iestyn ap Rhobert and Central Committee member Dilys Davies – could not be re-elected at the May 22 AGM. While also guaranteeing that their choices would be sneaked in by keeping the number of members able to vote at the AGM down to a few hundred.

There were also people involved in the coup who were not on the Central Committee. Most notably, perhaps, Rob Lloyd of Labour for an Independent Wales.

But whether they were on the Central Committee or not it was a Woke-Left takeover involving the Leannista wing of Plaid Cymru, Undod, Momentum, and Labour for an Independent Wales. Using ‘trans rights’ as their trojan horse they sought to silence all critics by labelling them ‘TERFs’, ‘transphobes’ and, of course, ‘fascists’.

Explained here, with main players named, in YesCymru: it must be a clean sweep.

YesCymru is now in the hands of an unnamed firm of accountants. Which is no doubt costing more money. Maybe a lot of money. Who knows?

This expensive period of stasis could have been avoided if the Central Committee had agreed to an EGM as soon as possible after the Vote of No Confidence passed by local groups on July 13.

Instead of accepting that VONC, at a meeting arranged by them – a meeting at which they’d allowed the attendance of supportive non-branches (Maesteg, Bynie) – the Central Committee rejected the vote as being “anti-democratic”.

A complete absence of self-awareness is something that has been remarked on many times in this saga when people look at the Central Committee and its chorus.

Or maybe it’s psychological projection; in which someone attributes their own faults or feelings onto others.

OUT IN THE FIELD

The High Command may have fled, jodhpurs flapping, but the indefatigable infantryman and infantrywoman carry on the fight, from north to south.

In Rhuthun yesterday they were out showing their colours. (One of my favourite towns, can’t wait to visit again.)

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While back in the City of my Dreams the local branch of YesCymru met the very day the Central Committee did a lemming and discussed a statement to submit to the Gweithgor (the working group to organise the EGM).

Note, in particular, the reference I’ve highlighted about not pre-judging ‘what an independent Wales should look like’. How encouraging to read that!

For those involved in the Woke-Left coup were so prescriptive in their vision that they’d even worked on the locations and lay-out of the gulags, and stipulated that bread queues would have agreed percentages of trans, non-binary, etc., etc.

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Despite this common sense, one from the ugly lovely town was a member of the takeover gang. This was Rachel Cooze, though her elevation to the Central Committee had little to do with support from her local group.

Cooze’s success was due to her allies within and without the Central Committee. Partly a reward for her enthusiastic involvement in the campaign against Dr Dilys Davies that saw Dr Davies suspended and therefore unable to oppose the elections of Cooze and others like her. A suspension that also helped facilitate the adoption of the Left-Woke motion to set up a Diversity and Inclusivity Sub-committee.

All carefully orchestrated, and beginning with Aled Gwyn Williams’ deliberately provocative visit to Dr Davies’ properties in Ceredigion.

The three who lodged the complaints that got Dr Davies suspended were Cooze, ‘Emrys’ Price-Jones, and Elinor Walters. For a while, Walters even renamed her Twitter account, ‘Dr Dildo Davies’.

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Which Aled Gwyn Williams thought was ‘excellent’. Silly boy!

But Cooze went further, offering discounts on her OnlyFans sex site using Dr Davies’ name. That was a new low even for these people. Perhaps worse, was her co-conspirators defending her.

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Cooze gets a mention in the next section. Though we may soon be hearing of her in another context.

A PHOENIX RISES?

After I’d stopped laughing I got round to properly reading what someone sent me on Sunday evening. After reading it properly I laughed a lot more. Here it is.

Aled Gwyn Williams – for it must be him! – has arranged a meeting on Glyndŵr’s Day at Maesteg RFC to launch Cwm Llynfi for Indy, ‘a group advocating inclusive independence for Wales’ . . . but not if you’re Dilys Davies, or Iestyn ap Rhobert, or Niki Jones, or me, or anybody who won’t accept Marxism and women with penises.

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You’ve read about Rachel Cooze, so who are the other speakers?

Siwan Clark has not long returned from London, where she was a big fan of Jeremy Corbyn. It should go without saying that she is in Momentum.

Welsh independence seems to have become more attractive to the far left since Corbyn’s hammering in the December 2019 general election. Not because the comrades want Welsh independence – or even care about Wales – but because with the Labour Party under Keir Starmer being less welcoming they must find new platforms for their odious message.

Clark brought Momentum methods with her. One of which is the sock puppet Twitter account. She has run quite a few of these recently.

The other name is ‘Charlotte Williams from Hiraeth Films’. This outfit has been working for about seven years on a film about Capel Celyn, the village drowned to make way for the Tryweryn dam; though apart from a few short videos to be found on Twitter and Facebook it’s difficult to know if it really does anything.

But the point is, Charlotte Williams comes from Welshpool, and who else do we know in that area? The photo below will help. It’s taken on the Montgomeryshire Canal in the town.

Kneeling down, swigging from a bottle, is Charlotte Williams and behind her is Katie Bataille, another trans woman, one who never turns down an opportunity for a social media pile-on. But who is that bearded fellow, sitting there so nonchalantly, about to fall backwards into the murky water?

Why! it’s young Ben Gwalchmai!

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And is that a sticking plaster across his knuckles? Has Benji been brawling with the local fascists and transphobes? (Cos I’ve seen them many a time goose-stepping up and down Broad Street.)

Enough levity.

Aled Gwyn Williams has brought together this impressive threesome to launch Cwm Llynfi for Indy. So what is this new venture?

Worth asking because, as I mentioned, Williams represented YesCymru Maesteg in the July 13 meeting at which the vote of no confidence in the CC was passed. (AGW of course supported the Central Committee.)

Though whether YesCymru Maesteg was a legally-constituted group is debatable.

Whether it was or not, this proposed launch of Cwm Llynfi for Indy certainly suggests that Aled has now severed his links with YesCymru. The presence of Cooze, Williams and Clark suggests that they too have burned their bridges.

Worth watching, I suggest. And although I’ll be unable to make it myself on September 16 – unless I go in disguise – I’m sure I’ll get plenty of feedback.

(There’s also a Twitter account.)

UPDATE: An early comment tells us that YesCymru Welshpool has rebranded to Welshpool for Independence. Taken with the plan for Maesteg it looks as if this is the path chosen by the defeated takeover gang. Will there be a national structure?

And do these new groups have access to YesCymru information on members? If so, how does this square with General Data Protection Regulation? And access to YC money?

A source also tells me that Scott Mackay, one of the Woke-Left plotters who failed to be elected to the CC, has left YC Abertawe.

BEYOND THE FRINGE

In many ways the Woke-Left coup was the work of different groups and individuals that could be viewed as concentric rings.

With the Central Committee serving as the inner ring. Aled Gwyn Williams and his social media pile-on gang as the next ring, but in close contact with the inner ring. Then beyond them, an outer ring, where we find those who can be rallied to support the others and attack the fascisti.

In the hazy outer ring we find the fascinating ‘Alan Reilly’. I’ve put his name in quotes because I’m not sure if he’s a real person.

This name first cropped up towards the end of 2018, soon after the formation of Gwlad. With vicious attacks on me, personally. Also attacks on Cayo Evans and the Free Wales Army – ‘What did you bastards ever do for Wales?’ and more in that vein.

It was strange stuff from someone professing to be a sympathetic Irish Republican and, as I say, it was very personal. With an unhealthy obsession with my bodily functions. A fascination recently exhibited by others.

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‘Reilly’ was often in the company of Shane Waters aka Séan Mac Uaitéir and Andrew McDonald aka Andras ap Alun. And despite their claims of support for Wales and Welsh independence, they often slipped up.

‘You Welshies’! Click to open in separate tab

Then ‘Reilly’ went quiet. To reappear very recently, when the pressure on the YesCymru Central Committee reached the crescendo that led to the mass resignation.

This time he was commenting to posts on Nation.Cymru. And I’m ‘Nonce o’ the North’.

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I complained to N.C about the first comment and it was taken down, so ‘Reilly’ wrote the second comment, and then I had to complain about that. It too was taken down. In an e-mail, Mark Mansfield at Nation.Cymru told me: ‘I’ve banned him and his IP address and disabled comments for the article’.

‘Alan Reilly’ is now back on the Nation.Cymru site posting as ‘Alan Reilly 1’. Presumably from a different IP address. Unless Mark Mansfield was lying about blocking him.

But he’s not using ‘Alan Reilly 1’ to attack me. No, instead, the attack last Saturday came from someone signing ‘Rwân’. (The correct spelling is of course ‘rŵan’.) How do I know it was ‘Reilly’? Because of the references to ‘old incontinent boy, sad Sac o’ the North’.

Someone saw it, drew my attention to it and, again, I had to complain to Nation.Cymru before the comment was taken down.

To express his frustration, ‘Reilly’ then turned his attention to my blog, where he posted this comment at twenty minutes to one on Sunday morning. It’s difficult to know where to start.

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He accuses me of hiding behind an alias. Yet he knows my name, everybody does, it’s Royston Jones. As it says in the old Daily Mail report from October 1968. In fact, I was ‘lifted’ by the police more than once. (Lost jobs because of it. Fortunately, I was young, and carefree. And handsome!) I did not make a complaint about Leanne Wood’s ‘arsehole’ remark, that was someone else.

How many remember the old Quarter Sessions? Happy days! Click to open in separate tab

Without thinking too much about ‘Alan Reilly’, there appear to be four possibilities:

1/ He’s a sock puppet of one of the Woke Left fanatics who nearly wrecked YesCymru.

2/ He is what he says he is, an Irish Republican with an interest in Welsh politics.

3/ He’s someone in Wales, possibly even Welsh, hostile to Welsh nationalism. And / or me?

4/ He’s working for some agency hostile to both Irish Republicanism and Welsh nationalism.

I dismiss the first two possibilities because I don’t believe anyone qualifying for those descriptions would be so dismissive of the national movement in Wales.

The third option is plausible because Alan Reilly’ seems to know quite a lot about Wales and the history of the national movement, but is clearly hostile. But if so, why adopt the Irish persona?

Then there’s option 4. Also plausible because ‘Alan Reilly’ first appeared shortly after a new political party was formed, and reappeared when it became clear that the coup to subvert YesCymru was in danger of failing.

I am not suggesting that those behind the coup work for the British state. But the British state would have been delighted to see a growing movement for Welsh independence subverted and side-tracked.

If anyone has any thoughts on ‘Alan Reilly’, then please pass them on.

And by the way, don’t think I’m whining here; I’m an old bastard and this is water off a Jack’s back. Think of it more as a warning.

LOOKING FORWARD

The worst appears to be over, with an EGM in the offing at which all members will be able to vote. YesCymru should in future be more representative of its membership than it has been since May’s rigged AGM.

Whether YesCymru sticks with the old structure of officials and a Central Committee, or whether it becomes more professional, with full-time employees, is something else for the members to decide.

But without I hope sounding vindictive, I would warn YesCymru’s members to be very wary of those who’ve appeared on this blog recently. And think carefully about whether they are made welcome in future.

Because, politics aside, there have been some very weird people involved in recent events. Some of them seriously unhinged. Others, violent. A few, genuinely evil.

Speaking personally, I would not extend a welcome to any of them.

And though he’s a long way from being the worst among them, for God’s sake don’t allow Rantin’, Rovin’ Benji anywhere near the levers of power in YesCymru.

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I’m now hoping to take a break from the Woke-Left interlopers who tried to wreck YesCymru and re-acquaint myself with more likeable people. I’m referring now to the grant grabbers, con men, money launderers, mortgage fraudsters, etc., who’ve starred on this blog for so long.

They must be feeling neglected!

♦ end ♦

 




YesCymru, conspirators flying the coup

I’M IN SEMI-RETIREMENT AND THIS BLOG IS WINDING DOWN. I INTEND CALLING IT A DAY IN THE NEXT FEW MONTHS. POSTINGS WILL PROBABLY BE LESS FREQUENT AND I WILL NOT UNDERTAKE ANY MAJOR NEW INVESTIGATIONS. DIOLCH YN FAWR.

The picture with YesCymru is becoming clearer, which makes those who clouded it ever more desperate. And dishonest.

“Those who seek absolute power, even though they seek it to do what they regard as good, are simply demanding the right to enforce their own version of heaven on earth. And let me remind you, they are the very ones who always create the most hellish tyrannies.”

Senator Barry Goldwater

I shall offend certain people by quoting this early influence on my political development. But it doesn’t matter how you try to twist it, what Barry Goldwater says there could have been written about recent events in YesCymru.

For when it comes to YesCymru, there may have been those among the takeover gang who sought to do, “what they regard as good”, but there were many driven by political fanaticism, and a few by self-interest.

And now it’s all over. The coup has failed and the plotters are slinking away.

So let’s have an update.

WHO’S LEFT THE BUILDING?

It’s been difficult at times keeping up with events, but here’s how I believe things stand after collating information from a number of sources.

Llywelyn ap Gwilym has been keeping a low profile, making me wonder if he was hoping to hide, Claudius-like, and then emerge after the blood-letting to be acclaimed emperor.

But no, for a number of sources tell me ‘Ein Llyw Nesaf’ has promised to stand down and not seek re-election at the EGM. That said, others warn that he’s a ‘slippery customer’, and needs to be watched.

Then, some time over the weekend before last Tori West bade her farewell. But there was no presentation of a clock followed by a few pints down the Red Lion, where anodyne speeches were delivered about ‘Good old Tori‘, and her responding with, ‘I’ll be back to see you all from time to time‘.

Instead, she suggested that YesCymru should be razed to the ground. Which, if nothing else, calls into question her commitment to Welsh independence.

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One source suggests that West may still consider herself ‘resignation fluid’. After that tweet she should be toast. And burnt toast at that.

I’m told the next to leave, on Monday last week, was Carys Eleri.

She will be best remembered for the video below. Even though it’s more of an exhibition of posterior than a gift to posterity I still see it as somehow fitting.

YesCymru members’ money was given to a company few had heard of. (Hardly surprising seeing as the company is less than a year old.) Then there are questions as to how this company gained the contract. Was there a tendering process? Does the Turk running the company know someone who may have been influential in YC? Is this company still receiving money from YesCymru?

As I say, I see this video as a metaphor – for the unfocused, spendthrift, self-indulgent and ultimately laughable organisation YesCymru became under the clowns now seeking the shadows.

 

On Tuesday last week Elin Hywel did her disappearing act. Like so many – all? – of those involved in the attempted and now defeated coup she is a member of Far Left Undod.

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While some took to the shadows as the pressure mounted, one who tried to put on a show of resistance was Ben Gwalchmai of Labour for an Independent Wales.

But something has clearly happened with Gwalchmai and it might have been linked with complaints to the Central Committee about his online behaviour. One complaint was signed by some 50 people.

A source tells me: “The CC meeting to suspend Ben was supposed to have been last Wednesday, then delayed until Thursday, then delayed to today (Monday), and now tomorrow.” I hear feet being dragged.

Whether the Rasputin of the Severn Valley has been or will be suspended is unknown, but his YC Twitter account was certainly shut down last Wednesday. A couple of days later he used his personal account to put out a rant against the 16 local groups that mustered a vote of no confidence in the Central Committee at the recent sit-down.

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Note that critics are ‘crazies’, and a democratic vote open to all is a ‘coup’.

Though Benji attempted to clarify his remark about ‘violent harasser’ by saying that he was not referring to himself, but to an online critic of the Central Committee, the so-called ‘Cornish Crow’, a Twitter account that was taken down on Sunday night.

But not before encouraging an imitator.

The personal account was putting out YC stuff today. Which might suggest that Benji remains part of the gang, but perhaps semi-detached? ‘We’ll pretend you aren’t with us’ kind of thing.

There could be a good reason for this. As I’ll explain in a mo.

Ben Gwalchmai has a terrible problem with the truth. He should be receiving treatment. Click to open in fresh tab.

Whatever his status vis-à-vis the Central Committee, Gwalchmai is a spent force. Utterly discredited, and perhaps now viewed as a liability even by the remaining CC members. (Which would really be saying something!)

There may also be legal action pending against him.

Ben Gwalchmai’s fundamental problem is that he’s ‘imaginative’. (Yes, that is a euphemism.) Take the recent example below.

Now, to read Benji, one might think that those awful ‘Fash’ had enlisted the help of the Kremlin to mount a full-scale assault against the organisation he and the comrades had so recently snatched from their evil clutches.

The Central Committee had to put out a statement clarifying that it was just a minor, personal matter. And no mention of PayPal.

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Talking of the Central Committee, who is left?

Let’s recap . . . there’s possibly Llywelyn ap Gwilym, no doubt carefully weighing up the best move for Llywelyn ap Gwilym. Then there’s Sarah Rees, the vice-chair, and interim chair since Siôn Jobbins stepped down. And finally, there’s treasurer Gwyn Llewelyn.

And that, without suspended Niki Jones, is that. Apart from the indeterminate status of Ben Gwalchmai, which might even have changed between me writing this on Monday evening and you reading it.

UPDATE: The news has been broken now so I can tell you that Niki Jones resigned from the Central Committee tonight.

Which means that the Central Committee might have less than four members and consequently be inquorate. If so, then the only power it has is to call an EGM pretty damn quick to get a new CC elected.

A last-ditch attempt to remain quorate would explain ap Gwilym hanging on and Gwalchmai being allowed to mooch around. Because without them it’s just Rees and Llewelyn, and definitely inquorate.

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One who seems to have slipped under my radar is Shane Brennan. In an earlier post I pointed out that with Iestyn ap Rhobert not seeking re-election as secretary his rival for the post, Shane Brennan, was a shoo-in.

What I didn’t know was that Brennan had been offered a job with The National and told that if he was taking it then he couldn’t be YesCymru secretary. Though when you think about it, working for Huw Marshall puts you on the same side as the Woke-Left takeover gang anyway.

Here’s Marshall crowing over the Twitter demise of the Cornish Crow. (Though I suspect he’ll be back soon.) Note that I remain a target. God! it brings a tear to the old Jac eye.

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It has been suggested to me that the Cornish Crow’s fate might be attributable to media persons knowing others of that ilk in the employ of Twitter. Who knows?

For obvious reasons, the Central Committee kept quiet about Brennan’s non-arrival. Which means that in addition to possibly being inquorate the CC has also been stumbling along without a secretary since before the May 22 AGM.

YesCymru is an utter shambles!

Another departure was that of Diversity and Inclusivity Officer Jessica Harvey. One of those determined to turn YesCymru into TransCymru. She will not be missed.

The sole remaining employee is Harriet Protheroe-Soltani. Though I don’t recall hearing anything from her or about her for months. Is she still there? If so, what is she doing for £32,000 a year in her part-time job? (For she is also an official of Momentum.)

Putting it all together makes me wonder why the first mate and the purser pretend that the good ship YesCymru is sailing merrily along with a full complement of officers and a not-at-all-mutinous crew.

Sinking Ship GIFs - Get the best GIF on GIPHY

Obviously there’s the matter of remaining quorate, which we’ve just read about. But there are also suggestions that this pretence must be maintained because there are things to hide. And money to be accounted for.

Just one more thing that might need to be cleared up is the Equality and Diversity Sub-committee, which was a motion passed at the May 22 AGM. Were appointments made to this sub-committee? Can a sub-committee exist independently of the committee to which it is subordinate?

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Questions. Questions. So many questions.

FINAL THOUGHTS

The Woke-Left coup has failed, partly because those involved were just so bloody incompetent. But if you want specifics . . .

1/ The Far Left entryists believed that by using terms like ‘fascist’ and ‘far right’ for their critics they could swing more moderate socialists behind them. But this didn’t work. In fact, it may have had the opposite effect.

This I find very encouraging. It tells me there are decent people out there, reasonable and fair-minded socialists, prepared to work with others in the cause of Welsh independence.

2/ Once those who’d taken over began to assert themselves, and it became clear that for many outing ‘TERF’s and ‘transphobes’ was more important than working towards independence, they both revealed their true intentions and sealed their own fate.

3/ In some ways, those who joined the Central Committee were the reasonable face of the Woke-Left fringe. Because out there, on the howling peripheries, roam some seriously unhinged nutters! You have met many of them on this blog.

But those on the inside did themselves no favours by their social media interaction with the loonies. Both encouraging them and being encouraged by them.

An example of the behaviour of these loonies cropped up a few days ago. I don’t know this guy, I’ve had no dealings with him, but he is not alone in his experience of the Woke-Left extremists.

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These evil and dangerous bastards mimic their heroes in the anarcho-nihilist cult Antifa: ‘We are absolutely in the right, which means we can do whatever we choose to those who oppose us and those we decide are in the wrong’.

The sort of attitude that leads to Inquisitions, pogroms, persecution, and the public beheading of unbelievers. So far we’ve only reached the de-platforming stage, and social media censoring, but the trajectory is clear.

An illustration of the co-operation between those on the inside and those on the fringes came to light tonight. It’s in a tweet from former Central Committee member Niki Jones, responding to Ben Gwalchmai, who claims never to have made or signed a complaint to YC.

He is of course lying, again, as the complaint from June 4 proves.

But just look at those names! Central Committee members mixed in with the worst of the gang. They’re all there: the mad axeman, ‘Dr Dildo Davies’, that disgusting creature who wrote the obscene tweet to a boy mourning his mother, the mayor of Bangor, and of course, the leader of the pack – Aled Gwyn Wiliams.

You can see the lines of communication, the links, for organising a pile-on.

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Benji’s fiery pants must be visible from the Long Mynd.

UPDATE 10.08.2021: There was a reaction last night to the publication of the list of complainants against Niki Jones, made when it was realised she would not fall into line with the exclusionary Woke-Left agenda. It came from Benedict Belli, ‘BVB’, @no_pasaran90, one of those complainants.

After a chorus of, ‘Non, Je ne regrette rien’ he goes on to blame “that joke organisation” for a breach of confidentiality. It’s always somebody else’s fault.

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YesCymru, as it is currently constituted, is no longer fit for purpose. There must be root and branch change, in both personnel and organisational structure.

Those involved in the takeover, and their social media foederati, must return from whence they came and never be allowed back into YesCymru.

For with their undoubted talent, their tolerant and inclusive behaviour, I have no doubt that those of whom I have writ could build up Undod into a movement that both captures the souls of our people and, by so doing, strikes terror into the black hearts of our enemies.

Then again, I could just be taking the piss. (Cos I enjoys a good laugh, I do.)

I started with a little something from Barry Goldwater, and I’ll end with some more wisdom from the great man.

“Extremism in the defense of liberty is no vice. And moderation in the pursuit of justice is no virtue.”

God bless you, Barry.

♦ end ♦

 




No to Terfs and Fash Trash Cymru!

I’M IN SEMI-RETIREMENT AND THIS BLOG IS WINDING DOWN. I INTEND CALLING IT A DAY IN THE NEXT FEW MONTHS. POSTINGS WILL PROBABLY BE LESS FREQUENT AND I WILL NOT UNDERTAKE ANY MAJOR NEW INVESTIGATIONS. DIOLCH YN FAWR.

This short guest post from ‘”Honest Bob” Lloyd’ was too good to turn down. It certainly made me laugh.

Though it’s worth pointing out is that it comes from someone who is not involved in the YesCymru debate in any form, he’s just a decent guy who’s been observing from a distance.

And here I think is an important message for those still in control of YesCymru, their few remaining allies, and their social media foederati.

The period of anyone taking you seriously is over. People are laughing at you!

“HONEST BOB” LLOYD of Undod Indy 4 Lab with a world exclusive preview of his slate of candidates for the upcoming YesCymru EGM.

No pasaran, Comrades! The combined forces of Terf and Fash reaction, centrism, revisionism, Merched y Wawr, Plaid Cymru and the Botwnnog Trotskyite Collective are congratulating themselves on their pathetic coup against our democratically elected Central Committee.

We will smash them, Comrades, and I call upon you all to support the new team which will lead this great movement into the wilderness and beyond.

UPDATE 26.08.2021: I have been asked to make it clear that the image above is not really of Bob Lloyd. The likeness is pure coincidence.

UPDATE 05.09.2021: I have been asked to make it known that the real Bob Lloyd did not write this article. It seems some people think he did!

BEN GWAGMALU

Yo dudes (but a big f*** off to anyone called Iestyn, Dilys and all the Terfs, Swerfs and Fascist bastards of the extreme right in Plaid Cymru). Yes, it’s me Ben Gwagmalu here, or Ben Guacamole as we say in these parts.

As a lecturer in macrobiotic badger yoghurt at the East Powys Polytechnic, I am once again standing on a platform of greater transparency and general koolaidness.
Our new world-leading three step methodology for unmasking transphobes, pogonophobes, nationalists and malcontents is now being rolled out, and there will be no room in our movement for anyone who is found guilty by me and our diversity and inclusivity unit.

That is why Tregaron must be wiped from the map.

I’d love to respond to all of the thousands of messages I receive from you every day, but I can’t be arsed, and much as I would love to agree to requests for copies of minutes, I regret to inform you that they, like everything else what I wrote since becoming leader, have fallen prey to an auto-delete within 5 minutes setting.

Solidarity!

MOONBEAM MOLOTOV

As someone who lives with multiple undiagnosed personality disorders, I know only too well that YesCymru is not a safe space for people like me. That is why it must be burned to the ground.

Only from the ashes of this stinking pit of crazed queerphobia and terfdom can we hope to build a movement which is truly inclusive. Until then I will refuse to engage with anyone fighting for toxic so-called independence.

Vote for me. You know it makes sense.

BENITIO “THREE LIONS ON MY SHIRT” BELLENDINI

YesCymru has fallen prey to the forces of fascist transphobia and my sisters, brothers and non-binary siblings are literally being hacked to death on the streets by the jack-booted thugs of Yes Pontrhydfendigaid and Yes Hanes, wherever that is.

So death to the Terfs and Smurfs! Nor shall my axe sleep in my hand, till we have built Jerusalem, in England’s* green and pleasant land.

*Or Wales if that’s not possible.

TEIFI

As some of you know, Aled has left to form a movement of his own, accusing me of ailurophobia and anti-veganism after I turned my nose up at his Pedigree mungbean and tofu surprise, but I’m sure he will be back soon along with his follower. That is why I have decided to stay and fight to make YesCymru a safe space free of cats and terfs. Inclusivity must extend to all those of us with four legs and wet noses.

Solidarity!

GWENDA WHIPLASH

Yes, it’s me, and I’m back! There’s only one thing these far-right agitators understand, isn’t that right Iestyn bach?

When I resume my rightful place on the Committee, I will arrange for every member to receive a complimentary sex toy from my exclusive collection with instructions on how to shove it where the sun doesn’t shine.

CARYS HARRIES

Gwlad y Gân? Donchya wanna puke when ya hear those words? So for a modest fee* me and my fellow Transistors (geddit?) in Les Tricoteuses, our newly formed street dance collective, will be staging a shrill-othon to drown out the screams of the terfs and fashies when Bob’s great top to bottom purge gets underway.

*None of your business

CHRIS BRYANT

Just as Comrade Guacamole endorsed me when I stood in the 2019 general election, it is only right that I should show solidarity with him at this critical time, and so I too have been persuaded to join Honest Bob’s team as the unity candidate under the slogan Better Together! to work for a slight change in direction.

One of my first actions on being elected will be to introduce a modest salary and expenses for all those expected to turn up to meetings of the Central Committee.

[That’s enough candidates. Jac.]

♦ end ♦

 




UNESCO – let the rip-offs begin!

I’M IN SEMI-RETIREMENT AND THIS BLOG IS WINDING DOWN. I INTEND CALLING IT A DAY IN THE NEXT FEW MONTHS. POSTINGS WILL PROBABLY BE LESS FREQUENT AND I WILL NOT UNDERTAKE ANY MAJOR NEW INVESTIGATIONS. DIOLCH YN FAWR.

This post is a ‘filler’ until we return to that cornucopia of dissembling, skulduggery, and now whimpering, put-upon Marxists – YesCymru! Possibly with a post at the weekend.

Most of you will I’m sure have heard that the old slate quarries and mines of Gwynedd have been awarded UNESCO World Heritage status.

Click to open in separate tab

(Here’s the above article in pdf format.)

Even though I live very close to a former slate quarry, Bryneglwys, in a village largely built in the 19th century to house the quarrymen and their families, and even though I’ve been (loosely) involved with the local preparations of the bid to UNESCO, like many others I’m wondering how exactly my community will benefit.

Let me explain.

I first learnt of the UNESCO bid in the autumn of 2019. There was a meeting or a presentation in our Ganolfan organised by Gwynedd county council. So, ever the inquisitive, I rolled up to see what it was all about.

There were a few guys there who seemed to be running the show, and I assumed they worked for Cyngor Gwynedd; but no, they were from the Talyllyn Railway (TR). Which I found to be rather surprising, and disappointing.

The people of Abergynolwyn, many of them the children, grandchildren or great-grandchildren of quarrymen, knew little or nothing about the UNESCO bid, and yet the Talyllyn Railway not only knew about it but also seemed to have commandeered its local element.

Bryneglwys quarry workforce, 1897, Victoria’s Jubilee. Click to open in separate tab

Worse, projects in Tywyn, having only the most tenuous connection with the slate industry, also had bids in for their slices of the cake.

Another at the meeting was the owner of ‘King Arthur’s Labyrinth‘ in Corris, located in the old tunnels dug and blasted to extract slate in the next valley. This place is to Welsh history what Boris Johnson is to statesmanship.

For those unfamiliar with the area, Corris is the most southerly of the Gwynedd slate communities and on the same seam as Bryneglwys.

But back to the Talyllyn Railway.

Some twenty years ago, I was raising the money to build our new Ganolfan. Not an easy job, and at times dis-spiriting. To fill out a 60-page application form, make sure that all the attachments are in place, and then get a curt response that says, basically, ‘Hard luck, pal’, is very frustrating.

One example was an application I made to the Aggregates Levy Sustainability Fund (ALSF). I think the figure I applied for was £200,000.

Bryneglwys in the 1960s, some 20 years after the quarry closed. Click to open in separate tab

Anyway, the point was that this funding was for communities within 5 miles of a quarry or aggregate workings. So, I filled up the form, sent it off, and a representative of the ALSF came to discuss it. ‘No problem’, says he, ‘you meet all the criteria . . . but of course it will have to go before the panel’.

The panel, or rather the two who swung the decision – both involved in tourism – decided that the grant should go to the Talyllyn Railway. To be spent on its Wharf Station in Tywyn, over 7 miles from Bryneglwys quarry.

The justification given was  that the TR had a closer link than the village with the quarry. And the track itself came within the required 5 miles!

Now, I don’t deny that the railway was built to carry slate to the coast and the main line, but it is now a commercial enterprise, a tourist railway, run almost exclusively by ‘enthusiasts’ from over the border.

Whereas the village of Abergynolwyn, as I’ve said, was built to serve the quarry, and is still home to descendants of the quarry workers. (My wife among them.)

Another reason I’m less than optimistic relates to the ownership of Bryneglwys quarry.

For the Land Registry title document says that in 1980 Bryneglwys passed from Hugh Pugh Roberts to the Secretary of State for Wales. Then, in 2006, it transferred to the National Assembly for Wales.

The quarry is now in the stewardship of our old friends at Natural Resources Wales (NRW). Where they seem to believe that it’s near Machynlleth.

Which I suppose it is . . . if you’re a particularly energetic crow; or if you fancy climbing a few miles up to the ridge and then, after getting your breath back, negotiating a few more miles on t’other side as you descend into the Dyfi valley. (But you do get a nice view of Cader Idris and you can see down to the coast.)

The reason the mention of NRW saw my spirits sink is because of that agency’s record. In just the previous post on this blog we read about Natural Resources Wales offering up publicly-owned Welsh land to foreign investors who are thinking of plonking on it the tallest wind turbines we’ve yet seen.

Put together the tourism element and the involvement of Natural Resources Wales and you should understand why I’m not optimistic that locals will see many benefits from the UNESCO recognition.

Added to which is a real danger that the former slate communities will see increased numbers of tourists. With all the attendant problems. This is what Cylch yr Iaith fears. And they aren’t the only ones.

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Which brings us to the fundamental conundrum.

Gwynedd council led the UNESCO bid, and champagne corks have been popping in Caernarfon since the decision was announced. And yet . . . the council has publicly conceded that certain parts of the county suffer unsustainable numbers of tourists.

Yet powerful lobbies will seek to exploit the UNESCO recognition to attract more tourists in order to make more money. More tourists means more traffic, more rubbish, more people looking to buy property, more pressure on Welsh-speaking communities.

To complicate matters, Bryneglwys quarry, unlike the larger sites at Blaenau Ffestiniog and Bethesda, is inside the Snowdonia National Park. So there’ll be no zip wires or underground trampolines.

But that aside, the overarching question remains . . .

How does Gwynedd square this circle of capitalising on UNESCO recognition without encouraging unsustainable and damaging levels of tourism?

A further issue I have with this project is the way it has portrayed the relationship between Wales and England.

Here’s what our Secretary of State had to say about the announcement. ‘Fantastic news for the UK’, and he’s right. For we can guarantee that most of the beneficiaries will come from over the border.

It might also encourage more English people to ‘staycation’ in Wales thereby keeping their money in the UK. Which is a major reason why Wales suffers saturation tourism.

Click to open in a separate tab

But it’s not just Simon Hart who’s guilty of misrepresenting the relationship. About a year or so ago the council commissioned a series of films, one for each of the quarries involved in the UNESCO bid.

The film for Bryneglwys focused almost entirely on the tenure of the McConnel brothers of Manchester, stressing that without English money there would have been nothing here. There was little mention of the men who worked – and died – at the quarry, their families, and the lives of the people of Abergynolwyn.

Sir Henry Haydn Jones, an old-style Welsh Liberal. A tradition that may have served Wales better than its successors. Click to open in separate tab.

The truth is that slate was extracted in the 1820s, possibly earlier, by local men prepared to invest a bit of money and hard work. The McConnels arrived in 1864 because cotton was not reaching their Manchester mills from the Confederate states due to the war, and so they looked to diversify. In the third act, local MP, Sir Henry Haydn Jones took over in 1911, and kept the quarry open long after it ceased to be economically viable.

Certainly, the McConnels invested a lot of money, but they weren’t philanthropists, they came to make money, and if there hadn’t already been slate workings here they would never have heard of Bryneglwys. Yet the film commissioned by Cyngor Gwynedd wrote out the Welsh involvement entirely!

Another film, by Dr David Gwyn, put up on YouTube last week, is not a great improvement in its emphasis.

Even this page from Llechi Cymru concentrates on the McConnels, with just a nod to those who went before, and no mention at all of Sir Henry Haydn Jones.

If I was one of those frightful nationalists I might view this ‘Can’t manage without England’ theme as fairly obviously political. Perhaps we’ll hear it again when the tourists start swamping the communities that have been blessed with UNESCO recognition.

And once again, we shall be expected to show gratitude for becoming strangers in our own communities, and our own country.

♦ end ♦

 




Guest post: ‘Stop Y Bryn Onshore Wind Farm’

I’M IN SEMI-RETIREMENT AND THIS BLOG IS WINDING DOWN. I INTEND CALLING IT A DAY IN THE NEXT FEW MONTHS. POSTINGS WILL PROBABLY BE LESS FREQUENT AND I WILL NOT UNDERTAKE ANY MAJOR NEW INVESTIGATIONS. DIOLCH YN FAWR.

Over the years I’ve written a number of times about wind farms, and the deception on which they’re based. Because, as an answer to global warming or as a form of electricity generation they are useless.

Their benefit, or rather, what makes them attractive, to politicians, especially, is their visibility. Everyone can see them, and they allow politicians to crow – ‘Look! Look! We’re doing our bit to save the planet’.

To further ‘prove’ how sincere they are in saving the planet governments offer big subsidies to those erecting and owning wind turbines. This attracts investors, hedge funds, and others who don’t give a toss about the environment.

Due to the fact that the wind is intermittent and unpredictable, there must be 100% back-up for wind turbines. One consequence of this is higher electricity charges for domestic consumers.

‘You can’t pay your electricity bill, Mrs Jones? Never mind, love, sit in the dark and console yourself by knowing you’re saving the planet’.

There are other problems associated with wind turbines, especially in Wales, that no one wants to talk about. One such issue is flooding.

Of which there has been an increase in recent years for English towns on the River Severn, downstream of the ever-increasing number of wind farms on the hills of Powys.

The Rhondda has also seen increased flooding since the massive Pen y Cymoedd wind farm went up. But of course it’s being blamed on ‘blocked culverts’. Doesn’t anyone wonder why the culverts are being asked to cope with extra run-off from the hills? Or are politicians just refusing to even address the question?

No, wait! It must be global warming – put up more wind turbines . . . more flooding . . . more turbines . . . self-justifying lunacy.

The reason wind turbines on our hills cause flooding is because trees are felled to make way for them, and huge areas of peat are lost because each turbine is sunk in a concrete base the size of a rugby pitch. And then there are the hard-core access roads, and the cable trenches . . .

Yet trees and peat are vital in both preventing flooding and in carbon capture.

Without admitting that it’s been causing environmental damage with wind turbines the so-called ‘Welsh Government’ recently announced a scheme to create peatland in the very area where this habitat has been lost to wind turbines.

Click to enlarge

The article in the Western Mail does mention “wind farms”, but without making the obvious connection, though the image used is revealing.

When you think about it, if the environment was the real priority, then, rather than political virtue-signalling and providing guaranteed returns for foreign companies and well-connected people, the best thing to have done would have been to leave the trees and the peat well alone.

Not only has the ‘Welsh Government’ failed the environment, it has also failed us, the people of Wales. For these bird-killing monstrosities create no jobs, no turbines are built in Wales, and they’re all foreign-owned so the money leaves Wales.

Wind turbines in Wales are 19th century colonialist exploitation (but without the jobs) given a quick coat of greenwash for the 21st century.

Wales deserves better. But we’ll never get it by voting in the same clowns who encourage managed decline and then pretend to be ‘doing something’ by offering wind turbines.

Support this campaign because we all want to help the environment but wind farms are just a money-making scam that’s gone on for far too long.

Now read what a spokesperson for the campaign has to say . . .

In just 4 short weeks, the ‘STOP Y Bryn Onshore Wind Farm’ Facebook Campaign group has gone from a standing start to ‘full pelt’ in the blink of an eye, leaving its originators with very little time to catch their breath, and yet in that brief but exciting period, support for the group has grown to just short of 1000 members; it has established a committee, set up a bank account, a Crowdfunding page, AND it has held its first public protest outside the Welsh Government home, Y Senedd.

The protest outside Y Senedd. Click to enlarge

If that is not enough for starters, It has also attended all five of the initial public consultation meetings set up by the proposers of the wind farm project, Coriolis Energy (wind energy developers) and ESB (Ireland’s premier energy company), where the group and its supporters have emphatically shown they are serious about fighting this proposal to the very end.

The campaign group is acting in response to a proposal that is so lacking in detail that even some Senedd members are terming it as just an ‘idea’ at this time, but with it comes the need for so many questions to be answered, and the residents of the affected villages are not happy to let this proposal go uncontested.

But where do you start with the issues brought about by a proposed development of this magnitude? It is one of the best kept secrets in amongst these small semi-rural areas of South Wales, which is an achievement in itself given that usually a mouse can fart and everyone is gossiping, and whilst residents were clapping for NHS Heroes or giving an elderly war veteran money to walk around his garden, the supposedly transparent Welsh Government by way of Natural Resources Wales were inviting tenders that would allow swathes of lush green countryside to be carved up in anticipation of 26 wind turbines to be built in situ, the size of which onshore Britain has never seen before. But secrets of this kind don’t tend to remain secrets for very long, and this one was not going to be the exception.

Soon after the secret was out, residents found themselves talking at 2 metre distances about the environmental destruction that was being proposed, their conversations focused on the suggestion these turbines would reach heights up to 250 meters, and that their blades would be of 80 meter lengths….but what is that in ‘old money’ and what could these structures be compared to?

The turbines planned for Y Bryn are taller than Wales’ tallest building. And remember, the Meridian Tower is at sea-level, whereas these turbines, more than twice the height, will be on hills. Click to enlarge.

The Eiffel Tower, the Shard, local electricity pylons…..it was all a guessing game because of that lacking detail everyone so desperately needed. The reality is people can’t begin to envisage how these will look on top of their beautiful, lush green hills without appropriately designed graphic images, but what they can envisage is how detrimental and destructive these colossal chunks of steel will be to the area, perched on top of land that provides habitats for some of the country’s most cherished species of animals and birds, and who’s ecology contributes so much to an environment already facing a crisis that seems to know no bounds.

These surrounding areas have undergone a transformation in recent years, where the scars from coal mining and other heavy industrial activity have been eradicated and acceptably replaced by flora and fauna many now see as an extension to their own back gardens….except now people are envisaging morning coffee views that bring with them the hum of rotor blade activity drifting on the winds of change, and bringing with them the threats to communities and environments that mean so much more to the residents and villagers.

Many of the campaign group’s questions focus on the environmental impact of this proposal, but like so many other controversial proposals, the details are extremely vague to the extent that the credibility and the incentives of both development companies involved have to be seriously questioned.

For example, why is NRW, which is a public body, being permitted to freely auction off environmental spaces that mean so much to walkers and cyclists, not to mention the eco systems that dwell therein? Surely such activity should be overseen by Welsh Government, and surely they should be seeking authorisation from Y Senedd before putting public land up for tender?

Additionally, with the land proposed being of such historic interest, who at NRW first thought it to be an acceptable area for wind farm development? Heaven knows the importance the people of Port Talbot and Bridgend put on their green space where they are seen as byways that promote better mental and physical health and wellbeing. But, when questions regarding issues around Environmental Impacts, land suitability, sustainable long term employment opportunities, and community benefits are asked, answers are at best contradictory, if there are any answers at all.

The reality is, the Valleys and feeder regions have long been ignored by politicians and business leaders for the inward investment opportunities so desperately needed as a resolution to industry losses in sectors like coal and steel to name just two, and its the residents of those regions who have been expected to accept ‘poor relations’ subsidy programmes historically bestowed upon us by quangos like the Welsh Development Agency, which have then been passed off as ‘Tory Blue’ success stories.

Click to enlarge

Nevertheless, the people of Port Talbot and Bridgend are no longer prepared to be overlooked, and they expect their voices to be heard on this proposal. As the campaign grows and gathers momentum, its members intend to battle on through a program of constructive research and fact-finding exercises whilst it develops a strengthening network of support that delivers positive responses on a daily basis, all driven by the members who BELIEVE wholeheartedly in this fight.

Its steering committee consists of intelligent individuals who are not only aware of the ‘due process’ proposals such as this one are expected to follow, but they are also creative and resourceful to boot. These are not a trigger-happy bunch of community gun-slingers, but instead they are community-spirited residents who are steadfast in their belief that whilst the world needs answers to the Climate Emergency that has been declared globally, there’s is a real suggestion colossal wind turbines are NOT a suitable on-shore solution due to the environmental devastation they can bring, and that a more strategic approach with joined-up thinking and measured risk analysis is needed in order to find a sustainable solution.

The area as it is today. Click to enlarge

As the first round of public consultations is assessed, initial feelings are very positive, especially when the main developer Coriolis is reporting an unexpected number of written objections as well as attendance to its public meetings.

The voice that is ‘STOP Y Bryn Onshore Wind Farm‘ is being heard, and the message it is portraying is reaching far and wide into the communities that stand to be affected by the development. The live Facebook broadcasts from Y Senedd protest have impacted not only on existing campaign group members, but they have touched corners of the community that have so far remained oblivious.

‘What next?’ they hear you ask…..quite simply, they continue to do what they have done so successfully thus far, which is working strategically but stealthily, using their resources and contacts collectively, and pooling their knowledge to lead a campaign that shows grit and determination that is so inherent in the people of Wales! Are you on board?

Cymru Am Byth. Together we are stronger

♦ end ♦

 




YesCymru: it must be a clean sweep

I’M IN SEMI-RETIREMENT AND THIS BLOG IS WINDING DOWN. I INTEND CALLING IT A DAY IN THE NEXT FEW MONTHS. POSTINGS WILL PROBABLY BE LESS FREQUENT AND I WILL NOT UNDERTAKE ANY MAJOR NEW INVESTIGATIONS. DIOLCH YN FAWR.

Yes, folks, this is another episode in the ongoing tale of YesCymru. Another report of damage inflicted on the independence movement by a gang of Woke-Left extremists, their assorted hangers-on, others too weak to resist, and a few who thought they could ride the wave for personal advancement.

UPDATES

In the previous post in this series, YesCymru, light at the end of the tunnel?, I had to add a few updates, so in case you didn’t catch them, here they are. With one snippet I didn’t use as an update.

Siôn Jobbins, long time Chair of YesCymru – and after a couple of weeks AWOL – finally announced he was stepping down within hours of my previous post going live. I am not claiming cause and effect.

Rachel Cooze, one of the Central Committee members elected at the May 22 AGM, resigned after – among other things – it came to light she had used suspended Central Committee member Dr Dilys Davies’ name to offer discounts on her OnlyFans porn site.

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Would-be journalist, ‘Emrys’ Price-Jones, was suspended following her very silly article in The National. A redacted version of the article is still available.

The article named Dr Davies, even though her appeal against suspension is still to be heard. ‘Emrys’ also clearly identified, but without naming, the Central Committee member elected at the May 22 AGM who has also been suspended.

Click to enlarge

I reached out an avuncular and comforting hand, but the offer was politely rejected. (Since deleted?) Though someone in the gang made a suggestion on Twitter that my approach to ‘Emrys’ was creepy, possibly sexually motivated.

Maybe somebody can find the tweet.

Just when you think there’s nothing new to surprise you about these clowns they manage to plumb new depths.

THE PART WHERE JAC EXPLAINS HOW IT ALL FITS TOGETHER

Bottom line: There was a conspiracy to take over YesCymru. It was mounted by people I shall name below. Marxists and others belonging to the Far Left justifying what they did as being in the cause of, “progressive socialism”.

Facilitated to some degree by fools who think Communism is ‘cool’, some too stupid to appreciate the danger, and others who just proved too weak to mount any opposition.

The conspiracy has failed because too many people were involved; some of them none too bright who gave the game away, others so convinced they were on the side of the angels that they bragged about their involvement.

But over and above that, once you put the facts together – it’s just so obvious!

I shall try to lay it out in chronological order without, I hope, repeating myself too much. But if I do, then it’s justified because previously I have dealt with disparate pieces, whereas this is the near-complete jigsaw.

The genesis of YesCymru can be found in earlier posts. But it’s worth mentioning that among the founders we find Dr Dilys Davies, Siôn Jobbins and Iestyn ap Rhobert.

Inevitably, the Far Left infiltrated YesCymru early on, but an attempt at takeover was rebuffed and the plotters – or some of them – went off to found openly Marxist Undod towards the end of 2018. A group promoting ‘socialism through independence’ or ‘socialism and independence’.

Though the Undod website now reads, rather anaemically: ‘We are a democratic, socialist republican movement established to secure independence for Wales’.

About as ‘democratic’ as the long gone and unlamented German Democratic Republic. (East Germany.)

Perhaps as revenge for the rebuff the Far Left remnant within YesCymru tried to ambush Dr Davies in the autumn of 2019. It was very amateurish and she survived.

The defeat of Jeremy Corbyn in the general election later that year resulted in Momentum taking an interest in Welsh independence. One member, Harriet Protheroe-Soltani, is now YesCymru’s Campaigns Officer, while still serving as an officer of the North West and Wales region of Momentum.

Another, who returned to Wales from London following Corbyn’s fall, is Siwan Clark. It’s claimed she has more ‘sock puppet’ Twitter accounts than anyone. I couldn’t possibly comment.

To clear the way for the Far Left to take control at the May 22 AGM certain people needed to be ‘neutralised’.

In the case of Dr Dilys Davies this was achieved by @AledGwynWiliams (Single ‘l’!) travelling to her properties in Ceredigion and engineering a spat that resulted in complaints being made to the Central Committee by ‘Emrys’, @sheikyerbouti_ and Rachel Cooze. Dr Davies was suspended from the Central Committee and unable to participate in the AGM.

All explained here in ‘Hopes of Welsh independence being jeopardised by the hard left’.

But this Ceredigion foray was part of a bigger scheme.

We’ve met a number of manipulators in this series on YesCymru but one, almost overlooked, whose name has cropped up a few times recently, is moustachioed Robert Lloyd of Prestatyn, President of Labour for an Independent Wales.

Lloyd became head honcho of this group in January this year. And sources say that the plotting to take over YesCymru began soon afterwards. Plotting in which Lloyd played a bigger hand than he has previously been given credit for.

And you know me, I’m all for giving credit where credit is due.

What’s crucial for the purposes of this article is Lloyd’s role in the run-up to the May 22 AGM, his part in selecting who served on the Central Committee. And I’m sure it will interest you, as well.

Lloyd recently confessed on Twitter that he had indeed been involved in a group that brought together those of a certain ideological disposition seeking to ensure that the incoming Central Committee was to their liking.

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This ” . . . very loose campaign, but ultimately a successful one” (note the use of ‘campaign’) pulled together serving Central Committee Members, retiring Central Committee members, and candidates seeking election to the Central Committee for the first time.

In the first category we find Llywelyn ap Gwilym, Elin Hywel and Carys Eleri. In the second there’s Mark Hooper. While in the ranks of the hopefuls, bright of eye and bushy of tail, were Ben Gwalchmai and Rachel Cooze.

These Signal app meetings were set up to delete everything after 5 minutes, and so that option proved unsuitable. Future meetings were held on Zoom, and a fresh initiate was Scott Mackay of Swansea. (Endorsed by Aled Gwyn Wiliams.)

It was now that ap Gwilym and Hooper pushed the “Iestyn must go” line and urged everyone to support Shane Brennan for Secretary. This proved unnecessary because Iestyn ap Rhobert withdrew from the race.

But Lloyd fits into none of the three categories – so why was he there? Who was he representing? Obviously, Labour for an Independent Wales, which I have previously described as about as convincing as DUP for a United Ireland.

Lab4Indy overlaps with Momentum and links with Undod. There are fellow-travellers in Plaid Cymru, especially its youth wing, Plaid Ifanc. There has also – believe it or not – been a Far Left takeover of Cymdeithas yr Iaith Gymraeg (the Welsh Language Society).

But YesCymru was the big prize due to its 18,500 members and the ‘reach’ such a figure gave the organisation.

Of course a membership of that size also presented problems for the Marxist plotters. Selecting and screening Woke-Left candidates for the Central Committee in secret meetings was one thing, but an open and fair election at the AGM, with all members voting, could have undone all the plotting.

To guarantee the election of those they’d chosen the Woke-Left ensured that as few members as possible would be able to vote at the May 22 AGM.

The leaders of the takeover plot were Robert Lloyd, Ben Gwalchmai, Mark Hooper, and Llywelyn ap Gwilym. Representing Undod, Labour/Momentum, and the Leannista wing of Plaid Cymru.

Some of the foot-soldiers, hangers-on and social media warriors I’ve already listed, but there were others. A few too many for the plot to succeed.

Many have justified the takeover as ‘protecting YesCymru from ‘fascism”. Just as the Soviets were fighting ‘fascism’ and ‘revisionism’ when they put down the Hungarian Rising of ’56 and the ‘Prague Spring’ in ’68.

Perhaps the biggest worry in that comparison should be that Marxism prefers big units and is invariably hostile to the aspirations of small nations unless pretending to support those aspirations can be used to promote Marxism.

Footnote: Vice-president of @Lab4IndyWales is our old friend Martyn J Shrewsbury. A source points out that both Lloyd and Shrewsbury might have escaped prison terms.

In his case, in 2014, the magistrate was amazed that Lloyd had not been charged with dangerous driving. If he had been, and if he had been found guilty, then he might not have gone to Cardiff University.

Shrewsbury is a convicted fraudster who escaped jail. (Strangely, the link to the court case is broken.) After causing disruption in the Green Party of Englandandwales for a few years he moved to the Labour Party, and of course Momentum. Shrewsbury had quite a reputation for fake social media accounts.

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Read more about Shrewsbury here, in ‘Plaid Cymru’s enemy within‘. In fact, type his name in the sidebar search box because he’s appeared on this blog a few times.

President and Vice-president of Labour for an Independent Wales both dealt with leniently by the authorities with subsequent careers as political wreckers is obviously just a coincidence.

But what are the odds?

UPDATE 30.07.2021: A link to the Shrewsbury conviction has turned up.

THE COUP SUCCEEDS

The high point for the plotters was around mid-day on May 22, just after the AGM, when their supporters were putting out celebratory tweets like these.

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It’s been downhill for them ever since.

For it soon dawned on YesCymru members that the new Central Committee had been elected with the votes of some two per cent of the total membership. (Many members didn’t even know there was an election!) Not even in the socialist Utopias dreamed of by the plotters would such a blatant con have been pulled.

Then it was one revelation after another, indiscretions followed with vile attacks as the plotters and their foot-soldiers were put on the defensive. (Did anyone really believe this woman would be an asset to YesCymru? Or was she brought in to be a wrecker?)

Where were the Minutes? Why couldn’t members see detailed and independently audited accounts?

Regarding the latter, there was a growing suspicion that YesCymru money was being appropriated by Central Committee members, or being diverted to their friends.

A suspicion that began on the day of the AGM. Encouraged by another celebratory tweet; this one from re-elected Central Committee member Tori West.

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Recently, London-based West went on strike. How a Central Committee member withdraws their labour is not clear. But anyway, she’s back.

As I’ve said, the pressure on the Central Committee has been relentless, and it has increased week on week. To the point where the Central Committee was forced to agree to a meeting with the branches, which took place on July 13.

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I’m not sure what purpose the Central Committee thought the meeting would serve. Was it intended to be a show of strength? An attempt at reconciliation?

I can’t answer those questions. What I can tell you is that from the Central Committee’s perspective it was a disaster.

To begin with, and in an obvious attempt to show that there were branches siding with the Central Committee, those attending the meeting were entertained by . . .

Aled Gwyn Wiliams, tormentor of Dr Dilys Davies, and a veritable keyboard samurai. (Though he’s a bit too fond of the saké and often has to do a lot of deleting the morning after.) He was there representing YesCymru Maesteg. Reports says he waffled without contributing anything.

Then there was ‘Kemp’ who set up @YesYBynie because she didn’t want to mix with all those horrid transphobes and fascists in the thriving Llanelli branch of YesCymru. This Bynea ‘branch’ is just her, and therefore should not be regarded as a branch.

Aware of this she put out a sorry tweet a couple of months ago hoping to rope in waifs and strays. I wonder if anybody answered the call?

Someone else who spoke was Central Committee member Ben Gwalchmai – on behalf of the Welshpool branch! This should not have been allowed.

The letter sent to the branches promised that two members of the Central Committee would be in attendance. In fact, they were all there. Well, those who haven’t resigned or been suspended.

Seeing as ‘Emrys’ is suspended, and his deranged deputy at YesCymru LGBTQ+, ‘George Brown’ has presumably been locked in the attic, being fed through a hatch at the bottom of the door, it fell to young Tyler Griffiths to represent this section.

He did not impress. After ranting about a suspended Central Committee member running ‘sock puppet’ Twitter accounts he didn’t really have a lot to say.

Llywelyn ap Gwilym remained largely silent and seemed to wish he were somewhere else. Whilst Elin Hywel did not enhance her reputation with a number of rather silly comments.

The good news from last Tuesday’s meeting is that most genuine branches want an Extraordinary General Meeting and fresh elections to the Central Committee.

AND FINALLY . . .

As was reported on Politics Wales yesterday, there’s a lot of crazy stuff flying around on social media. I can state with confidence that 80 to 90 per cent of it comes from defenders of the takeover. And participants therein.

One of the leaders in the field is Rachel Cooze who put the knife into Dr Davies and anybody else she took a dislike to – including me! First, by telling my Twitter followers that I was a fascist and a transphobe, and suggesting they unfollow me. (Which about 40 or 50 did, but now I have more followers than before her attack!)

Then, she came out with a bizarre – and actionable – claim that former YesCymru Secretary, Iestyn ap Rhobert, had been feeding me confidential information. I can swear on a stack of Bibles that the claim is untrue.

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I assumed that she had dreamt it up, or been fed it by one of her poisonous consœurs. But then, last week, along came @YupCymru. One of the weirdest accounts to appear in this saga.

Mention has been made of ‘sock puppet’ Twitter accounts, which are shell accounts used by people wanting to hide their identity and/or pretend that their position has more support than is truly the case.

But @YupCymru, now closed, was different.

To begin with, it was opened in 2013, before YesCymru was even thought of, and there were only ten or a dozen tweets until very recently. Yet this almost inactive account made the same allegation on April 29 of Iestyn ap Rhobert leaking me information.

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So who was @YupCymru?

It’s a question many are asking because in a brief flurry of activity before closing the account @YupCymru also released confidential YesCymru documents. To wit, the Minutes of the Dr Dilys Davies disciplinary hearing held on May 5.

This hearing was a kangaroo court. The decision to suspend Dr Davies had already been taken by the plotters named earlier. She had to be removed before the AGM because she was a threat to their plans and would certainly have opposed the two motions the plotters had framed.

The Minutes are already in the public domain so I feel able to offer them here.

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It’s a strange business. One minute (no pun intended) @YupCymru was fighting for the takeover gang, attacking Iestyn ap Rhobert and me; and then, by releasing the Minutes, seems to be trying to damage YesCymru.

I suppose any investigation will have to start by asking who had copies of or access to those Minutes.

For this breach of security and confidentiality is a serious business. And it’s not the only example we’ve seen recently of unauthorised or unlawful use of confidential YesCymru information.

Perhaps attributable to the fact that those who mounted the coup, and those who support them, know that their time is running out. Of course, they can’t accept that the fightback is coming from ordinary members who want to welcome everybody to a broad-based movement working for Welsh independence.

No, it has to be a fascist takeover. Because anybody who doesn’t agree with these lunatics is a fascist. That’s one of the big mistakes they’ve made – absurd slanders alienating so many decent people.

But then, when you dream of driving a Red Army tank along the boulevards of Budapest or Prague this intolerance of differing views will often betray you.

It’s alleged that ‘Arson Sam’ is one of Siwan Clark’s many sock puppet accounts. Now putting her Momentum experience to the service of the Far Left in YesCymru. Click to enlarge.

Where now for YesCymru?

It would be absurd to suggest that all those involved in the takeover of YesCymru are working for the British state. Equally absurd would be to think that the British state would ignore a movement with 18,000 members pushing for Welsh independence.

The damage done is so severe that none of those responsible for the coup or supportive of it can be allowed to stay. If they don’t resign they must be removed.

There must then be a fresh start with a more professional structure in place to ensure it can’t happen again. Otherwise YesCymru is as good as finished.

♦ end ♦

 




YesCymru, light at the end of the tunnel?

I’M IN SEMI-RETIREMENT AND THIS BLOG IS WINDING DOWN. I INTEND CALLING IT A DAY IN THE NEXT FEW MONTHS. POSTINGS WILL PROBABLY BE LESS FREQUENT AND I WILL NOT UNDERTAKE ANY MAJOR NEW INVESTIGATIONS. DIOLCH YN FAWR.

At the risk of overworking clichés, YesCymru has become the gift that keeps on giving. In fact, it is developing into a veritable cornucopia of source material.

The reason for this is now obvious. There is a group of people within (and some outside) YesCymru who have persuaded themselves that they can say and do whatever they like with no repercussions.

They have been encouraged in this belief, first, by the ease with which they were allowed to take over YesCymru, and then, by the lack of opposition from politicians and mainstream media to their insane views on society, politics and gender.

IF YOU’RE NEW TO THE SAGA . . .

YesCymru was born on a cold and gray Chicago morn in 2014 out of Welsh support for Scottish independence. The group was officially launched in February 2016, and I gave it my backing in this piece, ‘YESCymru Launch Rally 20.02.2016‘.

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As is the fate of all such groups, the Far Left soon tried to muscle in and subvert a cross-party and non-ideological group.

The initial attempt was thwarted, which resulted in certain individuals leaving and, towards the end of 2018, forming Undod, offering ‘Radical Independence for Wales’. It was soon clear that Undod was a Marxist organisation whose members turned up for any kind of protest.

Inevitably, Undod also attracted – and welcomed – Marxists with no real interest in Wales, let alone independence. For these, Wales was just another stage on which to perform, and independence another ishoo to exploit.

One of these recruits was Siwan Clark. For soon after her hero Jeremy Corbyn lost the December 2019 general election she left London to return to Cardiff. In this tweet, put out 11 days before this year’s AGM, she helpfully explains the genesis of Undod.

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Clark is of course a member of Momentum, the Marxist party within a party that cost Labour so many seats in December 2019. And now Clark has brought her winning formula to Wales!

What could possibly go wrong?

To prepare the way for the takeover completed at the May 22 AGM certain people, resistant to the Marxists and the Wokies, needed to be removed. Among them, Dr Dilys Davies.

Dr Davies had been attacked earlier, in September 2019, for defending Germaine Greer’s views on sex and gender. (Or at least, that was the excuse used.) I dealt with it here in, ‘Misogyny, bullying? Depends who’s doing it‘.

The attack was renewed at Easter-time this year when Aled Gwyn Williams went down to Ceredigion to engineer the excuse for more complaints – from Aled’s cronies – that would be used to get Dr Davies suspended from the Central Committee.

This I dealt with in ‘Hopes of Welsh independence being jeopardised by the hard left’.

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In the tweet above, from around April 23, Siwan Clark helpfully confirms that there was indeed a campaign against Dr Dilys Davies by, “Welsh trans people and their allies”. Code for, ‘Hard Left and their Woke dupes’.

POTS, KETTLES, AND OTHER NEWS

These Woke-Left extremists do not provide much in the way of humour. Understandable, for they count many swivel-eyed fanatics in their ranks.

Which means that what laughs they do provide are entirely unintentional. Here’s a recent example from Twitter. It’s Aled again!

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It’s difficult to think of any group that has posted more ‘mad shit’ on Welsh Twitter in recent years than Aled Gwyn Williams and his gang.

Though as I may have remarked in recent postings, Aled and his fan club are much less active now. They either post innocuous stuff or else their accounts are protected. The suggestion is that they’re using private chat rooms . . . where no doubt the ‘mad shit’ still fills the ether.

But wherever they are, Aled can’t kick the selfies on Twitter: ‘This is me!’, ‘Look at me!’, ‘Look what I’m doing!’.

If anybody loves Aled half as much as Aled loves Aled then Aled is a very lucky boy.

Aled’s mate ‘BVB’ has also forsaken Twitter, having lately realised that it is “vile”. This is priceless.

For when they ruled social media, when they could slag off good people with impunity, Aled and his gang thought Twitter was the best thing since Leanne Wood becoming leader of Plaid Cymru.

But now, as more and more people realise what a pernicious influence this gang has been for too long, it becomes, ‘Oooh, nasty people on Twitter answering back’.

A case of biter bit. And he doesn’t like it. Click to enlarge

Lest we forget, here are two gems put out not so long ago, on Twitter, by ‘BVB’. Did somebody say ‘Mad shit’?

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In other news . . .

A bizarre article appear on The National website last Saturday. I knew it was going to be a treat when I saw that the author was our young friend, ‘Emrys’ Price-Jones, Chair of YesCymru’s LGBTQ+ Committee.

‘Emrys’ has a deputy, even more off the wall than her. I’m referring now to ‘George Brown’. Here are some of their recent tweets, to give you a flavour of this dysfunctional duo.

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I have to be careful how I word what follows because lawyers are involved, and old Jac has had his fill of those buggers. Anyway, here’s the article from The National as it now reads on the site. But that’s not how it originally appeared.

You’ll see that certain comments have been deleted. This is because they addressed parts of the original article that were soon removed by The National. But not before the article, in its original format, had been endorsed and retweeted by YesCymru.

In the section taken down ‘Emrys’ was candid enough to confirm that he was one of the complainants against Dr Davies a few months back. He even spelled out that the whole charade was staged to engineer her suspension, thereby ensuring that Dr Davies could not stand for election to the Central Committee at the May 22 AGM.

The redacted section also libelled, without naming, but clearly identifying, the woman referred to above by ‘George Brown’ in such vile terms.

Make no mistake: this article was a deliberate attempt to prejudice hearings that are yet to take place; hearings involving Dr Dilys Davies and the other woman identified in the article.

Thankfully, apart from a few ‘wonderful article’ comments from a few people, including ‘BVB’, most comments were hostile. Here’s a good example.

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The Central Committee member so grossly abused by ‘George Brown’ in the tweet above complained to Jess Harvey, YesCymru’s Diversity and Inclusivity Officer. The complainant was fobbed off with, “I know George from Plaid Pride. This is very uncharacteristic of them. I’ll have a chat with them!” (Note the pronouns.)

On the contrary, it’s all too characteristic of ‘George Brown’, and Jess Harvey must know it. 

Yet this episode reminds us that Jessica – formerly Matthew – Harvey left Plaid Pride in April. ‘George’ left around the same time. Both seem to have decided that YesCymru offered more scope for their intolerant, cultist approach to trans issues; and gave them more freedom to slag off good people as TERFs, transphobes and fascists.

For while earlier forays had established a bridgehead for the Woke-Left, the war on diversity of opinion intensified once YesCymru had a Diversity Officer.

I’m assured that legal action is actively being pursued against those involved with the writing and publication of that heinous article, and other examples of defamation and intimidation. The police are involved.

I can understand why YesCymru Chair Siôn Jobbins has closed his Twitter account.

UPDATE: Siôn Jobbins resigned around mid-day. Here’s the statement he put out.

UPDATE: I am informed that ‘Emrys’ was suspended late this afternoon. Which I assume prompted this rather plaintive tweet.

UPDATE 12.07.2021: ‘Emrys’ has confirmed that she has been suspended. Does this mean that the lunatic ‘George Brown’ is now acting Chair?

SLAPPERS, MINUTES, MONEY

As if YesCymru doesn’t have enough problems with police and lawyers, more problems are piling up with questions about how YC is organised and regulated. And where the money is going.

On the day of the AGM, London-based Central Committee member Tori West put out this intriguing tweet.

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Suspicions grow that ‘Welsh creatives’ (and indeed, non-Welsh creatives) already had their fingers in the YesCymru pie when that tweet went out.

Such as whoever created this eyebrow-raising, toe-curling, stomach-churning, vomit-inducing little video. If you haven’t yet seen it, I suggest you sit down before watching.

 

We’ll deal with the images in a minute, but let’s focus first on the ‘lyrics’: “England, I know you love me / And I love you too”. What the fuck is that supposed to be saying?

Is anyone claiming the credit!

And why does ‘Wales’ have to be a buxom slapper on a night out down Wind Street?

I know we complain that Wales has been shafted by England for centuries, but did it have to be so graphically illustrated? And seeing as it was, shouldn’t it have come with some kind of warning?

Who the hell commissioned this? Who agreed to pay for it? And who made it?

The answer to the last question I’m told is BAK, a Cardiff company. They look like the kind of ‘creatives’ Tori West may have been thinking of. But there is no company called BAK. We need to look for Capsizing Creative Ltd, formed just last October.

The sole director is Memet Ali Alabora. A Turkish actor and playwright who fled his homeland – with his wife – when it was alleged a play of his had encouraged riots in 2013. He is now a British citizen.

Those involved at BAK are either Turkish or Welsh and, in fairness, Alabora and his wife seem to have taken to Wales, the language, perhaps even the independence cause. But nothing can justify that video. And how many others of that execrable standard has BAK turned out for YesCymru?

I’m even told that the singer is Central Committee member Carys Eleri. Is that true?

Finding out how much that video cost to produce, and how much YesCymru money has found its way to BAK, or anyone else, may not be easy because there are increasing claims that YC’s accounts are either unreliable or unavailable.

Similar claims are made for the Minutes of Central Committee and other meetings.

Another cause for concern might be Ymgyrch Yes Cyf. This being the private company that holds the rights to the YesCymru trademark. Until this year’s AGM the company had four directors. Two resigned because they were no longer officials of YesCymru.

This left just Chair Siôn Jobbins and Treasurer Gwyn Llewelyn. But with Jobbins AWOL this means that the company is in breach of Article 10 of its own Articles of Association, which says there must be 2 directors for a meeting to be quorate.

There are other matters being raised of a similar nature. It looks chaotic.

DENOUEMENT?

The prevailing mood among members has increased the pressure on the Central Committee and that pressure is certainly telling.

A grassroots revolt, with branches demanding face-to-face meetings with the CC, resulted in this e-mail going out yesterday. It’s signed, in the absence of Siôn Jobbins, by his deputy, Sarah Rees.

It confirms that there will be a meeting of the local groups and the Central Committee on Tuesday.

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You’ll note there are certain things that cannot be discussed at the meeting “due to legal reasons”. I bet there are! I just hope that whoever represents the Central Committee doesn’t use that as an excuse to clam up on everything.

And it will be interesting to see who does represent the Central Committee at Tuesday’s meeting.

The victory of the Woke-Left has been short-lived because they were too arrogant and self-obsessed to appreciate that taking over the Central Committee in a rigged AGM would be resented by the great majority of YesCymru members.

Members who want to prioritise independence, and welcome into YesCymru all those who share that view, irrespective of political loyalty and ideological alignment.

For YesCymru to get back on track most of the Central Committee must be removed. The same goes for Diversity and Inclusivity Officer Jessica Harvey, and Campaigns Officer Harriet Protheroe-Soltani (of Momentum).

Unless swift and firm action is taken YesCymru as an organisation could find itself paying – literally! – for the disgusting and criminal behaviour of a few dozen people. That would not be fair on thousands and thousands of decent people.

If YesCymru is to be saved, those wanting to save it must be ruthless. Cut the guilty loose and let them fend for themselves. They’ve already done enough damage.

♦ end ♦